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Postfeminist Gothic
George Elliott Clarke’s Beatrice Chancy: Sublimity, Pain, Possibility
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Author(s):
Donna Heiland
Publication date
(Print):
2007
Publisher:
Palgrave Macmillan UK
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Odysseys Home: Mapping African-Canadian Literature
George Clarke
(2002)
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Gothic & Gender
Donna Heiland
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“This history’s only good for anger”: Gender and Cultural Memory in
Beatrice Chancy
Maureen Moynagh
(2002)
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Book Chapter
Publication date (Print):
2007
Pages
: 126-139
DOI:
10.1057/9780230801301_10
SO-VID:
f8590169-c5b5-41db-ba6c-f0562d86e31a
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Book chapters
pp. 1
Introduction:Postfeminist Gothic
pp. 16
Dark Departures: Contemporary Women’s Writing after the Gothic
pp. 30
Neo-Splatter: Bride of Chucky and the Horror of Heteronormativity
pp. 43
Bite-Size Pieces: Disassembling the Gothic Villain in Witchblade
pp. 56
The Spectral Phallus: Re-Membering the Postfeminist Man
pp. 68
(Re)Making the Body Beautiful: Postfeminist Cinderellas and Gothic Tales of Transformation
pp. 85
The Stepford Wives: What’s a Living Doll to Do in a Postfeminist World?
pp. 99
The Postfeminist Filmic Female Gothic Detective: Reading the Bodily Text in Candyman
pp. 114
Moving beyond Waste to Celebration: The Postcolonial/ Postfeminist Gothic of Nalo Hopkinson’s “A Habit of Waste”
pp. 126
George Elliott Clarke’s Beatrice Chancy: Sublimity, Pain, Possibility
pp. 140
Sensibility Gone Mad: Or, Drusilla, Buffy and the (D)evolution of the Heroine of Sensibility
pp. 154
She: Gothic Reverberations in Star Trek: First Contact
pp. 170
Flight of the Heroine
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