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Postfeminist Gothic
other
Editor(s):
Benjamin A. Brabon
,
Stéphanie Genz
Publication date
(Print):
2007
Publisher:
Palgrave Macmillan UK
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Book
ISBN (Print):
978-1-349-28212-8
ISBN (Electronic):
978-0-230-80130-1
Publication date (Print):
2007
DOI:
10.1057/9780230801301
SO-VID:
8a012eab-fb29-41d5-a2d0-3e64201340b7
License:
http://www.springer.com/tdm
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Book chapters
pp. 1
Introduction:Postfeminist Gothic
pp. 16
Dark Departures: Contemporary Women’s Writing after the Gothic
pp. 30
Neo-Splatter: Bride of Chucky and the Horror of Heteronormativity
pp. 43
Bite-Size Pieces: Disassembling the Gothic Villain in Witchblade
pp. 56
The Spectral Phallus: Re-Membering the Postfeminist Man
pp. 68
(Re)Making the Body Beautiful: Postfeminist Cinderellas and Gothic Tales of Transformation
pp. 85
The Stepford Wives: What’s a Living Doll to Do in a Postfeminist World?
pp. 99
The Postfeminist Filmic Female Gothic Detective: Reading the Bodily Text in Candyman
pp. 114
Moving beyond Waste to Celebration: The Postcolonial/ Postfeminist Gothic of Nalo Hopkinson’s “A Habit of Waste”
pp. 126
George Elliott Clarke’s Beatrice Chancy: Sublimity, Pain, Possibility
pp. 140
Sensibility Gone Mad: Or, Drusilla, Buffy and the (D)evolution of the Heroine of Sensibility
pp. 154
She: Gothic Reverberations in Star Trek: First Contact
pp. 170
Flight of the Heroine
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