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Authentic Blackness : The Folk in the New Negro Renaissance
“Colored; cold. Wrong somewhere.”
edited-book
Publication date:
1999
Publisher:
Duke University Press
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Ways with Words
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Modernism and the Harlem Renaissance
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Publication date:
1999
Pages
: 53-80
DOI:
10.1215/9780822379515-003
SO-VID:
ada420f0-0e88-4aee-8617-3bcb81f8a72d
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. v
Table of Contents
pp. vi
Contents
pp. vii
Acknowledgments
pp. viii
Acknowledgments
pp. 1
Discourses of Black Identity:
pp. 1
Discourses of Black Identity
pp. 1
1 Discourses of Black Identity: The Elements of Authenticity
pp. 25
For a Mess of Pottage:
pp. 53
“Colored; cold. Wrong somewhere.”:
pp. 81
A Clash of Birthrights:
pp. 111
Color, Culture, and the Nature of Race:
pp. 137
The Possibilities of Multiplicity:
pp. 25
For a Mess of Pottage
pp. 25
2 For a Mess of Pottage: James Weldon Johnson's Ex-Colored Man as (In)authentic Man
pp. 53
“Colored; cold. Wrong somewhere.”
pp. 53
3 "Colored; cold. Wrong somewhere?': Jean Toomer's Cane
pp. 81
A Clash of Birthrights
pp. 81
4 A Clash of Birthrights: Nella Larsen, the Feminine, and African American Identity
pp. 111
5 Color, Culture, and the Nature of Race: George S. Schuyler's Black No More
pp. 111
Color, Culture, and the Nature of Race
pp. 137
6 The Possibilities of Multiplicity: Community, Tradition, and African American Subject Positions
pp. 137
The Possibilities of Multiplicity
pp. 153
Notes
pp. 153
Notes
pp. 153
Notes
pp. 171
Bibliography
pp. 171
Bibliography
pp. 171
Bibliography
pp. 179
Index
pp. 179
Index
pp. 179
Index
pp. 188
Back Matter
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