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Disintegrating the Musical : Black Performance and American Musical Film
edited_book
Author(s):
Arthur Knight
Publication date:
2002
Publisher:
Duke University Press
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Author and book information
Book
ISBN (Print):
978-0-8223-2935-0
ISBN (Electronic):
978-0-8223-8410-6
Publication date:
2002
DOI:
10.1215/9780822384106
SO-VID:
14398416-f083-454d-8ecd-f2133d14ae5c
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
Acknowledgments
pp. ix
Acknowledgments
pp. vii
Contents
pp. vii
Table of Contents
pp. 1
Introduction
pp. 1
Introduction: Disintegrating the Musical
pp. 1
Introduction:
pp. 29
Wearing and Tearing the Mask
pp. 29
Wearing and Tearing the Mask:
pp. 29
Chapter one. Wearing and Tearing the Mask: Blacks on and in Blackface, Live
pp. 49
“Fool Acts”
pp. 49
Chapter two ‘‘Fool Acts’’: Cinematic Conjunctions of White Blackface and Black Performance
pp. 49
“Fool Acts”:
pp. 92
Indefinite Talk
pp. 92
Chapter three Indefinite Talk: Blacks in Blackface, Filmed
pp. 92
Indefinite Talk:
pp. 123
Chapter four. Black Folk Sold: Hollywood’s Black-Cast Musicals
pp. 123
Black Folk Sold
pp. 123
Black Folk Sold:
pp. 169
“Aping” Hollywood:
pp. 169
“Aping” Hollywood
pp. 169
Chapter five. ‘‘Aping’’ Hollywood: Deformation and Mastery in The Duke is Tops and Swing!
pp. 195
Jammin’ the Blues
pp. 195
Jammin’ the Blues:
pp. 195
Chapter six. Jammin’ the Blues: The Sight of Jazz, 1944
pp. 231
Coda:
pp. 231
Coda Bamboozled?
pp. 249
Notes
pp. 249
Notes
pp. 249
Notes
pp. 301
Bibliography
pp. 301
Bibliography
pp. 301
Bibliography
pp. 327
Index
pp. 327
Index
pp. 327
Index
pp. 339
Back Matter
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