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Moral Spectatorship : Technologies of Voice and Affect in Postwar Representations of the Child
CHAPTER 1 Moral Spectatorship: Rethinking Identification in Film Theory
monograph
Publication date:
December 31 2020
Publisher:
Duke University Press
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Book Chapter
Publication date:
December 31 2020
Pages
: 11-50
DOI:
10.1515/9780822389255-003
SO-VID:
b99f7511-aa75-4154-9002-4ea16a2fb721
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
ACKNOWLEDGEMENTS
pp. ix
ACKNOWLEDGEMENTS
pp. vii
Table of Contents
pp. vii
CONTENTS
pp. 1
Introduction
pp. 1
INTRODUCTION
pp. 1
INTRODUCTION Spectatorship, Affect, and Representation
pp. 11
CHAPTER 1 Moral Spectatorship: Rethinking Identification in Film Theory
pp. 11
MORAL SPECTATORSHIP:
pp. 11
Moral Spectatorship
pp. 51
CHAPTER 2 The (Deaf) Woman’s Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice
pp. 51
The (Deaf) Woman’s Film and the Quiet Revolution in Film Sound
pp. 51
THE (DEAF) WOMAN’S FILM AND THE QUIET REVOLUTION IN FILM SOUND:
pp. 157
CHAPTER 3 “A Child Is Being Beaten”: Disorders of Authorship, Agency, and Affect in Facilitated Communication
pp. 157
“A Child Is Being Beaten”
pp. 157
“A CHILD IS BEING BEATEN”:
pp. 229
Conclusion
pp. 229
CONCLUSION On Empathy and Moral Spectatorship
pp. 229
CONCLUSION
pp. 241
NOTES
pp. 241
Notes
pp. 241
NOTES
pp. 255
References
pp. 255
REFERENCES
pp. 255
REFERENCES
pp. 281
INDEX
pp. 281
Index
pp. 281
INDEX
pp. 288
Back Matter
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