Browse
Publications
Preprints
About
About UCL Open: Env.
Aims and Scope
Editorial Board
Indexing
APCs
How to cite
Publishing policies
Editorial policy
Peer review policy
Equality, Diversity & Inclusion
About UCL Press
Contact us
For authors
Information for authors
How it works
Benefits of publishing with us
Submit
How to submit
Preparing your manuscript
Article types
Open Data
ORCID
APCs
Contributor agreement
For reviewers
Information for reviewers
Review process
How to peer review
Peer review policy
My ScienceOpen
Sign in
Register
Dashboard
Search
Browse
Publications
Preprints
About
About UCL Open: Env.
Aims and Scope
Editorial Board
Indexing
APCs
How to cite
Publishing policies
Editorial policy
Peer review policy
Equality, Diversity & Inclusion
About UCL Press
Contact us
For authors
Information for authors
How it works
Benefits of publishing with us
Submit
How to submit
Preparing your manuscript
Article types
Open Data
ORCID
APCs
Contributor agreement
For reviewers
Information for reviewers
Review process
How to peer review
Peer review policy
My ScienceOpen
Sign in
Register
Dashboard
Search
11
views
0
references
Top references
cited by
0
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
5,694
similar
All similar
Record
: found
Abstract
: not found
Book Chapter
: not found
Migrating to the Movies: Cinema and Black Urban Modernity
3. “Negroes Laughing at Themselves”? Black Spectatorship and the Performance of Urban Modernity
monograph
Publication date:
December 31 2019
Publisher:
University of California Press
Read this book at
Publisher
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
Urban Soundscapes Studies
Author and book information
Book Chapter
Publication date:
December 31 2019
Pages
: 93-113
DOI:
10.1525/9780520936409-007
SO-VID:
51f8eab4-29c2-43f6-b926-0c98a7a235d7
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. i
Frontmatter
pp. ix
Illustrations
pp. vii
Contents
pp. xiii
Preface
pp. xxi
Acknowledgments
pp. 1
Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History
pp. 23
1. “To Misrepresent a Helpless Race”: The Black Image Problem
pp. 50
2. Mixed Colors: Riddles of Blackness in Preclassical Cinema
pp. 93
3. “Negroes Laughing at Themselves”? Black Spectatorship and the Performance of Urban Modernity
pp. 114
4. “Some Thing to See Up Here All the Time”: Moviegoing and Black Urban Leisure in Chicago
pp. 155
5. Along the “Stroll”: Chicago’s Black Belt Movie Theaters
pp. 189
6. Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking
pp. 219
7. “We Were Never Immigrants”: Oscar Micheaux and the Reconstruction of Black American Identity
pp. 245
Conclusion
pp. 251
Notes
pp. 311
Bibliography
pp. 327
Index
Similar content
5,694
Babel and Babylon: Spectatorship in American Silent Film
Authors:
HANSEN
,
Hansen M.
Technology and the Ethics of Spectatorship
Authors:
James C. Bulman
,
Pascale Aebischer
The eyes of the people: democracy in the age of spectatorship
Authors:
J. L. GREEN
,
J Green
See all similar