Resumen: La idea de lo sagrado en la obra de Pura López Colomé está enraizada en la concepción misma que ella tiene. Desde sus poemas de infancia que dejaba en sus cuadernos, los ramilletes espirituales o el diario que le permitía el diálogo con Dios —como lo refiere con Adriana Pacheco en Hablemos escritoras—, hasta su último libro Borrosa imago mundi, López Colomé deja ver que la palabra poética revela el sentido profundo de las cosas, del ser. Sin embargo, para fines de este acercamiento crítico nos centraremos únicamente en el poemario Éter es, que nos remite desde el título a la verticalidad de un tiempo en el que ubicamos la búsqueda de nuestra poeta, considerando la visión como revelación y la interioridad como espacio de esa revelación.
Abstract: The idea of the sacred in Pura López Colomé’s work is rooted in the same conception that this author has of poetry. From her childhood poems that she left in her notebooks, the spiritual bouquets for her mother or the diary that allowed her to dialogue with God —as she refers to with Adriana Pacheco in Let’s Talk Writers—, to her latest book Borrosa imago mundi, published in 2021, Pura reveals that the poetic word manifests the deep meaning of things, of being. However, for the purposes of this critical approach, we will only focus on the book Éter es, which refers us from the title to the verticality of a time in which we locate the search for our poet, considering vision as revelation and interiority as space of that revelation.
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