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      COVID-19 memes going viral: On the multiple multimodal voices behind face masks

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          Abstract

          Advancing the concept of multimodal voicing as a tool for describing user-generated online humour, this paper reports a study on humorous COVID-19 mask memes. The corpus is drawn from four popular social media platforms and examined through a multimodal discourse analytic lens. The dominant memetic trends are elucidated and shown to rely programmatically on nested (multimodal) voices, whether compatible or divergent, as is the case with the dissociative echoing of individuals wearing peculiar masks or the dissociative parodic echoing of their collective voice. The theoretical thrust of this analysis is that, as some memes are (re)posted across social media (sometimes going viral), the previous voice(s) – of the meme subject/author/poster – can be re-purposed (e.g. ridiculed) or unwittingly distorted. Overall, this investigation offers new theoretical and methodological implications for the study of memes: it indicates the usefulness of the notions of multimodal voicing, intertextuality and echoing as research apparatus; and it brings to light the epistemological ambiguity in lay and academic understandings of memes, the voices behind which cannot always be categorically known.

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          Poetics and Performances as Critical Perspectives on Language and Social Life

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            Problems of Dostoevsky's Poetics

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              Principles of Critical Discourse Analysis

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                Author and article information

                Journal
                DAS
                spdas
                Discourse & Society
                SAGE Publications (Sage UK: London, England )
                0957-9265
                1460-3624
                March 2021
                March 2021
                March 2021
                : 32
                : 2
                : 175-195
                Affiliations
                [1-0957926520970385]University of Łódź, Poland
                [2-0957926520970385]Vilnius Gediminas Technical University, Lithuania
                Author notes
                [*]Marta Dynel, Department of Pragmatics, Institute of English Studies, University of Łódź, ul. Pomorska 171/173, Łódź, 90-236, Poland. Emails: marta.dynel@ 123456yahoo.com ; https://martadynel.com/; http://anglistyka.uni.lodz.pl/dynel-marta-prof-ul-dr-hab/
                Article
                10.1177_0957926520970385
                10.1177/0957926520970385
                8280556
                a12cc537-77f4-4406-ba54-19757d01068a
                © The Author(s) 2020

                This article is distributed under the terms of the Creative Commons Attribution 4.0 License ( https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages ( https://us.sagepub.com/en-us/nam/open-access-at-sage).

                History
                Funding
                Funded by: narodowe centrum nauki, FundRef https://doi.org/10.13039/501100004281;
                Award ID: 2018/30/E/HS2/00644
                Categories
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                Custom metadata
                ts1

                echo,epistemological ambiguity,intertextuality,meme,multimodal humour online,parody,participant role,playful trolling,virality,voice

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