Este artículo es un análisis de la obra cinematográfica Emak Bakia centrado en el motivo del ojo. Su hipótesis es que en esta obra la alusión al ojo hace referencia al concepto de visión. Con la finalidad de validar la hipótesis se utiliza el método hermenéutico. Por esta razón, se realiza una iconografía del ojo que se extiende a parte de la obra fotográfica de Man Ray, para finalizar en la obra elegida.
The following paper is an analysis of the film Emak Bakia. It focuses on the motif of the eye. The hypothesis maintains that the eye in Emak Bakia refers to the concept of vision. In order to prove this hypothesis, the article will use hermeneutics. For this reason, we will explore an iconography of the eye that develops from the photographic work of Man Ray to the work previously mentioned.
See how this article has been cited at scite.ai
scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.