“Jack of All Trades” or “Double Agent?” The German Popular Musician as Novelist

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Of Germanic eddies in the Black Atlantic Electronica and (post-)national identity in the music of Freiwillige Selbstkontrolle (FSK) and in Thomas Meinecke's novel Hellblau (2001)

Andrew Hurley (2012)

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Journal

Title: Journal of Popular Music Studies

Abbreviated Title: Journal of Popular Music Studies

Publisher: Wiley-Blackwell

ISSN: 15242226

Publication date Created: June 2013

Publication date (Print): June 2013

Volume: 25

Issue: 2

Pages: 127-153

Article

DOI: 10.1111/jpms.12021

SO-VID: 4f194192-6da4-47a3-9787-1eadf98da3ab

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http://doi.wiley.com/10.1002/tdm_license_1.1

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