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Reading The Waste Land from the Bottom Up
”sylvan scene”: Milton’s Paradise Lost
other
Author(s):
Allyson Booth
Publication date
(Print):
2015
Publisher:
Palgrave Macmillan US
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Author and book information
Book Chapter
Publication date (Print):
2015
Pages
: 91-94
DOI:
10.1057/9781137482846_18
SO-VID:
fc248b4c-7a08-41fc-999f-20962fd68c41
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Book chapters
Line 31
Line 196
Line 20
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Introduction
Line 64
âTo another work of anthropology I am indebted in generalâ
Line 118
Headnote
Line 266
âSwallowed up in the one great tragedyâ
Line 192
Line 76
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Line 425
Line 63
Line 99
Line 434
Line 402
âCanât he add anything?â
Line 125
Line 430
Line 253
Lines 367â77
Line 307
Dedication
Line 429
Line 197
Line 218
Line 432
Line 428
Line 77
Line 308
Epigraph
Line 412
Line 48
Line 257
Line 172
Line 312
Line 23
Line 360
Line 111
Line 98
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âMiss Westonâs book will elucidate the difficulties of the poemâ
pp. 7
“Swallowed up in the one great tragedy”: World War I and The Waste Land
pp. 17
“Can’t he add anything?”: Reading the Notes
pp. 23
“Miss Weston’s book will elucidate the difficulties of the poem”: Weston’s From Ritual to Romance
pp. 27
“To another work of anthropology I am indebted in general”: Frazer’s The Golden Bough
pp. 33
Epigraph
pp. 37
Dedication
pp. 43
“Son of man”: Ezekiel
pp. 47
“And the dead tree gives no shelter”: Ecclesiastes
pp. 49
“Frisch weht der Wind”: Wagner’s Tristan und Isolde
pp. 55
“(Those are pearls that were his eyes)”: Shakespeare’s Tempest
pp. 59
“Unreal City”: Baudelaire’s “The Seven Old Men”
pp. 63
“I had not thought death had undone so many”: Dante’s Inferno
pp. 67
“Sighs, short and infrequent, were exhaled”: Dante’s Inferno
pp. 69
”O keep the Dog far hence, that’s friend to men”: Webster’s White Devil
pp. 73
”You! hypocrite lecteur!—mon semblable,—mon frère”: Baudelaire’s Preface to Fleurs du Mal
pp. 79
“The Chair she sat in, like a burnished throne”: Shakespeare’s Antony and Cleopatra
pp. 85
“laquearia”: Virgil’s Aeneid
pp. 91
”sylvan scene”: Milton’s Paradise Lost
pp. 95
“The change of Philomel”: Ovid’s Metamorphoses
pp. 101
“My nerves are bad to-night”: Tom and Vivien Eliot as the Chess Players
pp. 105
“The wind under the door”: Webster’s The Devil’s Law Case
pp. 109
“Those are pearls that were his eyes”: Shakespeare’s Tempest
pp. 111
“Pressing lidless eyes”: Middleton’s Women Beware Women
pp. 115
“Good night, ladies”: Shakespeare’s Hamlet
pp. 123
“Sweet Thames, run softly”: Spenser’s Prothalamion
pp. 127
“By the waters of Leman”: Eliot and Lake Leman
pp. 129
“And on the king my father’s death before him”: Shakespeare’s Tempest
pp. 131
“But at my back from time to time I hear”: Marvell’s “To His Coy Mistress”
pp. 135
“The sound of horns and motors”: Day’s Parliament of Bees
pp. 139
“Et O ces voix d’enfants, chantant dans la coupole!”: Verlaine’s “Parsifal”
pp. 143
“I Tiresias”: Ovid’s Metamorphoses
pp. 147
“Homeward, and brings the sailor home from sea”: Sappho
pp. 149
“When lovely woman stoops to folly”: Goldsmith’s The Vicar of Wakefield
pp. 153
“This music crept by me upon the waters”: Shakespeare’s Tempest
pp. 157
“The river sweats”: Wagner’s Götterdämmerung
pp. 161
“Elizabeth and Leicester”: Froude’s The Reign of Elizabeth
pp. 167
“Highbury bore me”: Dante’s Purgatorio
pp. 171
“To Carthage then I came”: Saint Augustine’s Confessions
pp. 175
“Burning burning burning burning”: The Buddha’s Fire Sermon
pp. 181
“O Lord Thou pluckest me out”: Saint Augustine’s Confessions
pp. 187
“Phlebas the Phoenician”: Eliot’s “Dans le Restaurant”
pp. 195
Headnote
pp. 201
“Who is the third who walks always beside you?”: Shackleton’s South
pp. 205
“What is that sound high in the air”: Hermann Hesse’s Blick ins Chaos
pp. 211
“Datta: what have we given?”: The Brihadaranyaka Upanishad
pp. 217
“Or in memories draped by the beneficent spider”: Webster’s White Devil
pp. 221
“Dayadhvam: I have heard the key”: Dante’s Inferno, Bradley’s Appearance and Reality
pp. 227
“Revive for a moment a broken Coriolanus”: Shakespeare’s Coriolanus
pp. 231
“Fishing, with the arid plain behind me”: Weston’s From Ritual to Romance
pp. 233
“Poi s’ascose nel foco che gli affina”: Dante’s Purgatorio
pp. 237
“Quando fiam uti chelidon”: Pervigilium Veneris
pp. 243
“Le Prince d’Aquitaine à la tour abolie”: Nerval’s “El Desdichado”
pp. 247
“Why then Ile fit you. Hieronymo’s mad againe”: Kyd’s The Spanish Tragedy
pp. 253
“Shantih shantih shantih”: Upanishads
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