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Anthropology, Theatre, and Development
other
Editor(s):
Alex Flynn
,
Jonas Tinius
Publication date
(Print):
2015
Publisher:
Palgrave Macmillan UK
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Book
ISBN (Print):
978-1-349-46846-1
ISBN (Electronic):
978-1-137-35060-2
Publication date (Print):
2015
DOI:
10.1057/9781137350602
SO-VID:
f3159c94-5de2-4592-830d-7a6b6aa2ee5b
License:
http://www.springer.com/tdm
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Book chapters
Theatre in the Arab World â Perspectives/Portraits from Lebanon, Syria, and Tunisia
Reinventing the Show Trial
Performing Transformation
Embodying Protest
Pussy Riotâs Moscow Trials
Governance, Theatricality, and Fantasma in Mafia Dance
For a Verbatim Ethnography
Aesthetic, Ethics, and Engagement
Embodiment, Intellect, and Emotion
Reflecting on Political Performance
Whose Theatre Is It Anyway? Ancient Chorality versus Modern Drama
The Invisible Performance/the Invisible Masterpiece
Resistant Acts in Post-Genocide Rwanda
Re-imagining Political Subjectivities
The Anthropologist as Ensemble Member
pp. 1
Reflecting on Political Performance: Introducing Critical Perspectives
pp. 33
Re-imagining Political Subjectivities: Relationality, Reflexivity, and Performance in Rural Brazil
pp. 53
Performing Transformation: Cultivating a Paradigm of Education for Cooperation and Sustainability in a Brazilian Community
pp. 82
Embodying Protest: Culture and Performance within Social Movements
pp. 107
Embodiment, Intellect, and Emotion: Thinking about Possible Impacts of Theatre for Development in Three Projects in Africa
pp. 127
Resistant Acts in Post-Genocide Rwanda
pp. 147
Governance, Theatricality, and Fantasma in Mafia Dance
pp. 171
Aesthetic, Ethics, and Engagement: Self-cultivation as the Politics of Refugee Theatre
pp. 203
The Invisible Performance/the Invisible Masterpiece: Visibility, Concealment, and Commitment in Graffiti and Street Art
pp. 224
Whose Theatre Is It Anyway? Ancient Chorality versus Modern Drama
pp. 261
Theatre in the Arab World — Perspectives/Portraits from Lebanon, Syria, and Tunisia
pp. 279
Pussy Riot’s Moscow Trials: Restaging Political Protest and Juridical Metaperformance
pp. 286
Reinventing the Show Trial: Putin and Pussy Riot
pp. 305
For a Verbatim Ethnography
pp. 334
The Anthropologist as Ensemble Member: Anthropological Experiments with Theatre Makers
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