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Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage
Emotional History and Legacies of War in Recent German Comics and Graphic Novels
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Author(s):
Alexandra Lloyd
Publication date
(Online):
May 22 2020
Publisher:
Springer International Publishing
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The Generation of Postmemory
M. Hirsch
(2008)
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Disaster Drawn: Visual Witness, Comics, and Documentary Form
Hillary Chute
(2016)
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Documentary Comics
Nina Mickwitz
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Publication date (Print):
2020
Publication date (Online):
May 22 2020
Pages
: 49-67
DOI:
10.1007/978-3-030-37998-8_3
SO-VID:
d9c16da0-3d85-444e-a719-4308f5f40c94
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Book chapters
pp. 1
Introduction: Documenting Trauma in Comics
pp. 29
Hierarchies of Pain: Trauma Tropes Today and Tomorrow
pp. 49
Emotional History and Legacies of War in Recent German Comics and Graphic Novels
pp. 69
The Past That Will Not Die: Trauma, Race, and Zombie Empire in Horror Comics of the 1950s
pp. 85
Exploring Trauma and Social Haunting Through Community Comics Creation
pp. 103
Comic: “Documenting Trauma”
pp. 111
Traumatic Moments: Retrospective ‘Seeing’ of Violation, Rupture, and Injury in Three Post-millennial Indian Graphic Narratives
pp. 131
This Side, That Side: Restoring Memory, Restorying Partition
pp. 153
Visual Detention: Reclaiming Human Rights Through Memory in Leila Abdelrazaq’s Baddawi
pp. 173
Comic: Crying in the Chapel
pp. 179
Folding, Cutting, Reassembling: Materializing Trauma and Memory in Comics
pp. 199
‘To Create Her World Anew’: Charlotte Salomon’s Graphic Life Narrative
pp. 221
Una’s Becoming Unbecoming, Visuality, and Sexual Trauma
pp. 243
Discourses of Trauma and Representation: Motherhood and Mother Tongue in Miriam Katin’s Graphic Memoirs
pp. 263
Comic: First Person Third
pp. 277
Comics Telling Refugee Stories
pp. 297
Migrant Detention Comics and the Aesthetic Technologies of Compassion
pp. 317
Comics as Memoir and Documentary: A Case Study of Sarah Glidden
pp. 335
Afterword
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