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debbie tucker green: Critical Perspectives
Jumping to (and Away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama
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Author(s):
David Ian Rabey
Publication date
(Online):
April 16 2020
Publisher:
Springer International Publishing
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Some Relationships between Music and Hallucinogenic Ritual: The "Jungle Gym" in Consciousness
Marlene Rios
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Fred M. Katz
(1975)
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Theatre & Politics
Joe Kelleher
(2009)
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Rhythm in Acting and Performance : Embodied Approaches and Understandings
Eilon Morris
(2017)
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Book Chapter
Publication date (Print):
2020
Publication date (Online):
April 16 2020
Pages
: 191-213
DOI:
10.1007/978-3-030-34581-5_10
SO-VID:
d56e1e44-b60d-46d3-bc0d-b5ba1b6c55b4
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Book chapters
pp. 1
‘change ain’t fuckin polite, scuse my language’: Situating debbie tucker green
pp. 23
Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang
pp. 45
‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject
pp. 67
debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter
pp. 89
Engaging with Human Rights: truth and reconciliation and hang
pp. 109
‘I’m a Black Woman. I Write Black Characters’: Black Mothers, the Police, and Social Justice in random and hang
pp. 129
‘Almost, but Not Quite’: Reading debbie tucker green’s Dramaturgy inside British Playwriting Studies
pp. 151
Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger
pp. 171
sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang
pp. 191
Jumping to (and Away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama
pp. 215
Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade
pp. 233
‘Hearing Voices’ and Performing the Mind in debbie tucker green’s Dramatic-Poetics
pp. 257
Cartographies of Silence in debbie tucker green’s truth and reconciliation
pp. 277
debbie tucker green and the Work of Mourning
pp. 297
Reflections on hang: Izzy Rabey in Conversation with Siân Adiseshiah and Jacqueline Bolton
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