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Penny Dreadful and Adaptation : Reanimating and Transforming the Monster
Penny Dreadful’s Palimpsestuous Bride of Frankenstein
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Author(s):
Lissette Lopez Szwydky
Publication date
(Online):
January 31 2023
Publisher:
Springer International Publishing
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A Theory of Adaptation
Linda Hutcheon
(2006)
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Gothic & Gender
Donna Heiland
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Here Comes the Bride: Wedding Gender and Race in "Bride of Frankenstein"
Elizabeth Young
(1991)
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Publication date (Print):
2023
Publication date (Online):
January 31 2023
Pages
: 197-215
DOI:
10.1007/978-3-031-12180-7_12
SO-VID:
d46776de-ba0e-4989-8af5-503e85207d3c
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Book chapters
pp. 1
Introduction
pp. 15
The Medium Is the Model
pp. 31
The Adaptive Marketing of Penny Dreadful: Listening to The Dreadfuls
pp. 49
Penny Dreadful and Frankensteinian Collection: Museums, Anthologies, and Other Monstrous Media from Shelley to Showtime
pp. 71
In the House of the Night Creatures: Penny Dreadful’s Dracula
pp. 87
Vampirism, Blood, and Memory in Penny Dreadful and Only Lovers Left Alive
pp. 105
“The Dead Place”: Cosmopolitan Gothic in Penny Dreadful’s London
pp. 121
Adapting the Universal Classic Monsters in Penny Dreadful: An Uncanny Resurrection
pp. 141
Penny Dreadful and the Stage: Lessons in Horror and Heritage
pp. 157
Ethan Chandler, Penny Dreadful, and the Dime Novel; or, Dancing with American Werewolves in London
pp. 177
Dreadful Noir, Adaptation, and City of Angels: “Monsters, All, Are We Not?”
pp. 197
Penny Dreadful’s Palimpsestuous Bride of Frankenstein
pp. 217
Predators Far and Near: The Sadean Gothic in Penny Dreadful
pp. 233
“All Those Sacred Midnight Things”: Queer Authorship, Veiled Desire, and Divine Transgression in Penny Dreadful
pp. 253
Borderland Identities in Penny Dreadful: City of Angels
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