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Bad Modernisms
edited-book
Editor(s):
Douglas Mao
,
Rebecca L. Walkowitz
Publication date:
2006
Publisher:
Duke University Press
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Book
ISBN (Print):
978-0-8223-3784-3
ISBN (Electronic):
978-0-8223-8782-4
Publication date:
2006
DOI:
10.1215/9780822387824
SO-VID:
d0058720-3cc6-45bb-b4ca-07785fbdb61d
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. v
Table of Contents
pp. v
Contents
pp. vii
Acknowledgments
pp. vii
Acknowledgments
pp. 1
Introduction
pp. 1
Introduction:
pp. 1
Introduction: Modernisms Bad and New
pp. 19
Forced Exile
pp. 19
Forced Exile:
pp. 19
Forced Exile: Walter Pater’s Queer Modernism
pp. 44
The Aftershocks of Blast: Manifestos, Satire, and the Rear-Guard of Modernism
pp. 44
The Aftershocks of Blast
pp. 44
The Aftershocks of Blast:
pp. 68
Nonsense Modernism
pp. 68
Nonsense Modernism: The Limits of Modernity and the Feelings of Philosophy in Wittgenstein’s Tractatus
pp. 68
Nonsense Modernism:
pp. 94
The Romance of Cliché: E. M. Hull, D. H. Lawrence, and Interwar Erotic Fiction
pp. 94
The Romance of Cliché:
pp. 94
The Romance of Cliché
pp. 119
Virginia Woolf’s Evasion: Critical Cosmopolitanism and British Modernism
pp. 119
Virginia Woolf’s Evasion:
pp. 119
Virginia Woolf’s Evasion
pp. 145
Black Venus, Blonde Venus
pp. 145
Black Venus, Blonde Venus
pp. 145
Black Venus, Blonde Venus
pp. 179
The Black Dandy as Bad Modernist
pp. 179
The Black Dandy as Bad Modernist
pp. 179
The Black Dandy as Bad Modernist
pp. 206
A Shaman in Common
pp. 206
A Shaman in Common: Lewis, Auden, and the Queerness of Liberalism
pp. 206
A Shaman in Common:
pp. 238
The Gorgeous Laughter of Filipino Modernity:
pp. 238
The Gorgeous Laughter of Filipino Modernity
pp. 238
The Gorgeous Laughter of Filipino Modernity: Carlos Bulosan’s The Laughter of My Father
pp. 269
Hit-Man Modernism
pp. 269
Hit-Man Modernism
pp. 269
Hit-Man Modernism
pp. 298
Cultures of Impression
pp. 298
Cultures of Impression
pp. 298
Cultures of Impression
pp. 331
Bibliography
pp. 331
Bibliography
pp. 331
Bibliography
pp. 353
Notes on Contributors
pp. 353
Notes on Contributors
pp. 353
Notes on Contributors
pp. 355
Index
pp. 355
Index
pp. 355
Index
pp. 366
Back Matter
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