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Listening in Paris : A Cultural History
edited_book
Author(s):
James H. Johnson
Publication date
(Online):
March 29 2020
Publisher:
University of California Press
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UCL Grand Challenges: Cultural Understanding
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Book
ISBN (Electronic):
9780520918238
Publication date (Print):
December 31 1995
Publication date (Online):
March 29 2020
DOI:
10.1525/9780520918238
SO-VID:
ce3563de-e957-4c16-8468-b6895351a6ab
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Book chapters
pp. I
Frontmatter
pp. VII
Contents
pp. XI
Illustrations
pp. XIII
Musical Examples
pp. XV
Acknowledgments
pp. 1
Introduction
pp. 9
1. Opera as Social Duty
pp. 35
2. Expression as Imitation
pp. 53
3. Tears and the New Attentiveness
pp. 71
4. Concerts in the Old Regime
pp. 81
5. Harmony’s Passions and the Public
pp. 99
6. Entertainment and the Revolution
pp. 116
7. Musical Experience of the Terror
pp. 137
8. Musical Expression and Jacobin Ideology
pp. 155
EPILOGUE TO PART THREE. Thermidor and the Return of Entertainment
pp. 165
9. Napoleon’s Show
pp. 182
10. The Théâtre Italien and Its Elites
pp. 197
11. The Birth of Public Concerts
pp. 206
12 In Search of Harmony’s Sentiments
pp. 228
13. The Social Roots of Silence
pp. 239
14. Operatic Rebirth and the Return of Grandeur
pp. 257
15. Beethoven Triumphant
pp. 270
16. The Musical Experience of Romanticism
pp. 281
Afterword
pp. 287
Notes
pp. 349
Bibliography
pp. 379
Index
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