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The Palgrave Handbook of Contemporary Gothic
Global War from Tokyo to Barcelona
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Author(s):
Naomi Simone Borwein
Publication date
(Online):
July 11 2020
Publisher:
Springer International Publishing
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Gothic Criticism
Chris Baldick
,
Robert Mighall
(2012)
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Gothic Stylistics
Leith Morton
(2009)
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Trauma, Gothic, Revolution
David Punter
(2014)
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Book Chapter
Publication date (Print):
2020
Publication date (Online):
July 11 2020
Pages
: 1171-1190
DOI:
10.1007/978-3-030-33136-8_70
SO-VID:
b5a55f52-304e-4cdf-bf4c-ffaf12164592
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Book chapters
pp. 1
Introduction to the Gothic Handbook Series: Welcome to Hell
pp. 31
Latin American Horror
pp. 49
Dark Tourism
pp. 63
Two Twentieth-Century Mexican Writers
pp. 77
Dark Urbanity
pp. 91
Contemporary Australian Trauma
pp. 105
Postcolonialisms
pp. 123
Strains of the South
pp. 143
Indigenous Alterations
pp. 163
Hillbilly Horror
pp. 181
Southern Agrarianism and Exploitation
pp. 193
British ‘Hoodie’ Horror
pp. 211
Green Trends in Euro-Horror Films of the 1960s and 1970s
pp. 225
Ecocriticism and the Genre
pp. 243
The Wilderness
pp. 259
‘Queer’ Representations of Rural and Urban Locations
pp. 275
James Herbert’s Working-Class Horror
pp. 291
Re-defining the Genre with Mo Hayder
pp. 303
Stephen King
pp. 321
Aleister Crowley and Occult Meaning
pp. 337
Aleister Crowley and the Black Magic Story
pp. 357
The Gothic Romance
pp. 373
Georgette Heyer
pp. 393
Abjection and Body Horror
pp. 411
Torture Porn
pp. 431
Clive Barker’s Hellraiser
pp. 449
The Asylum
pp. 467
Psychopaths, Sociopaths and the Psychotic Mind
pp. 485
Beyond the Unfeeling Narcissus to Patrick Bateman
pp. 505
Zombie Folklore to Existential Protagonists
pp. 521
The Sentient Zombie
pp. 541
Transmedia Vampires
pp. 555
The Post-human Vampire
pp. 569
Monstrosity, Performativity, and Performance
pp. 589
Encounters with the ‘Hidden’ World in Modern Children’s Fiction
pp. 609
Gender and Sexuality in Young Adult Fiction
pp. 623
Horror Hosts in British Girls’ Comics
pp. 643
Lemony Snicket
pp. 661
Ghostly Gimmicks: Spectral Special Effects in Haunted House Films
pp. 679
Universal Horror
pp. 695
Arthouse Cinema
pp. 711
The Horror Genre in Balkan Cinema
pp. 725
Slavic Cinema
pp. 745
Gender Politics in a High-Camp, Lowbrow Musical
pp. 765
Roger Corman
pp. 781
David Lynch
pp. 801
Doctor Who: Identity, Time and Terror
pp. 819
Nigel Kneale and Quatermass
pp. 837
Dark Costume in Contemporary Television
pp. 853
Wildlings, White Walkers, and Watchers on the Wall of Northumberland’s Borderland
pp. 865
Grand Guignol, Inside Showtime’s Penny Dreadful Demimonde
pp. 881
The Blasphemous Grotesqueries of The Tiger Lillies
pp. 905
The Return of the Past in the Lyrics of Black Metal
pp. 919
Interactive and Movable Books in the Tradition
pp. 939
The Evolving Genre of the Vampire Games
pp. 957
The Digital Haunted House
pp. 973
Anxiety in the Digital Age
pp. 985
Horror Memes and Digital Culture
pp. 1005
Virtual Desert Horrors
pp. 1019
Immersive and Pervasive Performance
pp. 1035
Fashion Gothwear
pp. 1049
Walking with the Lancashire Witches
pp. 1063
The Influence of the Genre in High Fashion
pp. 1075
The Geisha Ghost
pp. 1093
Three French Modernists
pp. 1109
Dark Modernisms
pp. 1123
The Postmodern Genre
pp. 1137
Heterotopian Horrors
pp. 1153
The New Batman
pp. 1171
Global War from Tokyo to Barcelona
pp. 1191
Posthuman Interstellar Gothic
pp. 1209
Degeneration in H. P. Lovecraft and William Hope Hodgson
pp. 1223
Lovecraft, Decadence, and Aestheticism
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