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Grand Designs : Labor, Empire, and the Museum in Victorian Culture
Afterword
edited_book
Publication date:
2007
Publisher:
Duke University Press
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The Predicament of Culture
James Clifford
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Introduction: commodities and the politics of value
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Publication date:
2007
Pages
: 191-202
DOI:
10.1215/9780822390534-007
SO-VID:
b2ed6161-3edb-46f3-85d0-3968c42b0321
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Book chapters
pp. i
Frontmatter
pp. I
Front Matter
pp. ix
Contents
pp. IX
Table of Contents
pp. xi
List of Illustrations
pp. XI
List of Illustrations
pp. xv
Acknowledgments
pp. XV
ACKNOWLEDGMENTS
Plates
pp. 1
Introduction
pp. 1
Introduction
pp. 1
Introduction
pp. 19
Configuring Design
pp. 19
Chapter one. Confıguring Design Artisans, Aesthetics, and Aspiration in Early Victorian Britain
pp. 19
Configuring Design
pp. 52
Originality and Sin
pp. 52
Chapter two. Originality and Sin Calico, Capitalism, and the Copyright of Designs, 1839–1851
pp. 52
Originality and Sin
pp. 86
Commodification and Its Discontents
pp. 86
Chapter three. Commodifıcation and Its Discontents Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851
pp. 86
Commodification and Its Discontents
pp. 126
Principled Disagreements:
pp. 126
Principled Disagreements
pp. 126
Chapter four. Principled Disagreements The Museum of Ornamental Art and Its Critics, 1852–1856 –1872
pp. 160
Chapter five. Cultural Locations South Kensington, Bethnal Green, and the Working Man, 1857–1872
pp. 160
Cultural Locations
pp. 160
Cultural Locations
pp. 191
Afterword
pp. 191
Afterword. Travels in South Kensington
pp. 191
AFTERWORD
pp. 203
Notes
pp. 203
Notes
pp. 203
NOTES
pp. 253
BIBLIOGRAPHY
pp. 253
Bibliography
pp. 253
Bibliography
pp. 293
Index
pp. 293
Index
pp. 293
INDEX
pp. 306
Back Matter
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