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Voice in Motion : Staging Gender, Shaping Sound in Early Modern England
edited-book
Author(s):
Gina Bloom
Publication date
(Online):
December 31 2007
Publisher:
University of Pennsylvania Press
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Trivent Medieval
Author and book information
Book
ISBN (Print):
978-0-8122-4006-1
Publication date (Print):
December 31 2007
Publication date (Online):
December 31 2007
DOI:
10.9783/9780812201314
SO-VID:
9cd27774-52ce-429f-9a47-7e0f99ebf412
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Book chapters
pp. i
Frontmatter
pp. vii
Contents
pp. 1
Introduction. From Excitable Speech to Voice in Motion
pp. 21
Chapter 1. Squeaky Voices: Marston, Mulcaster, and the Boy Actor
pp. 66
Chapter 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter
pp. 111
Chapter 3. Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience
pp. 160
Chapter 4. Echoic Sound: Sandys’s Englished Ovid and Feminist Criticism
pp. 187
Epilogue. Performing the Voice of Queen Elizabeth
pp. 197
Notes
pp. 247
Bibliography
pp. 267
Index
pp. 275
Acknowledgments
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