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The River Fans Out: Literature and its Theories in China
The Rise of Metafiction in China
other
Author(s):
Yiheng Zhao
Publication date
(Online):
October 07 2020
Publisher:
Springer Singapore
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China Occupational Medicine
Author and book information
Book Chapter
Publication date (Print):
2020
Publication date (Online):
October 07 2020
Pages
: 179-190
DOI:
10.1007/978-981-15-7724-6_11
SO-VID:
9b5f3c0f-f36d-4b68-aa55-5067dda01668
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Book chapters
pp. 3
Redefining Sign/Symbol and Semiotics
pp. 15
The Fate of Semiotics in China
pp. 23
The Problem of Time in a General Narratology
pp. 33
The Narrator and His/Her/Its Frame-Person Duality: An Analysis in General Narratology
pp. 45
Middle Reclining: The Repositioning of Cultural Markedness
pp. 53
Subculture as Moral Paradox: A Study of the Texts of the White Rabbit Play
pp. 81
Historiography and Fiction in Chinese Culture
pp. 107
Chinese Fiction and Its Narrator
pp. 147
The Cultural Status of Chinese Fiction
pp. 165
The Second Tide: Chinese Influence on American Poetry Today
pp. 179
The Rise of Metafiction in China
pp. 191
Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry
pp. 201
Fiction as Subversion: Yu Hua
pp. 211
Ma Yuan, the Chinese Fabricator
pp. 221
A Fearful Symmetry: The Novel of the Future in Twentieth-Century China
pp. 237
Sensing the Shift—New Wave Literature and Chinese Culture
pp. 249
The Poetics of Death
pp. 259
The River Fans Out: Chinese Fiction Since the Late 1970s
pp. 271
The New Waves in Recent Chinese Fiction
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