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The Camera and the Press : American Visual and Print Culture in the Age of the Daguerreotype
Chapter 6. Seeing a Slave as a Man Frederick Douglass, Racial Progress, and Daguerreian Portraiture
edited_book
Publication date:
December 31 2012
Publisher:
University of Pennsylvania Press
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Annual Reviews Racial Justice, Policing, and Protest
Author and book information
Book Chapter
Publication date:
December 31 2012
Pages
: 192-232
DOI:
10.9783/9780812206340.192
SO-VID:
97b1ed3a-5731-4ea9-b549-0c59cd38a381
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Book chapters
pp. i
Frontmatter
pp. vii
Contents
pp. 1
Introduction
pp. 12
Chapter 1. The Daguerreotype in Antebellum American Popular Print
pp. 49
Chapter 2. Daguerreian Romanticism The House of the Seven Gables and Gabriel Harrison’s Portraits
pp. 86
Chapter 3. ‘‘Some ideal image of the man and his mind’’ Melville’s Pierre and Southworth & Hawes’s Daguerreian Aesthetic
pp. 126
Chapter 4. Slavery in Black and White Daguerreotypy and Uncle Tom’s Cabin
pp. 154
Chapter 5. ‘‘My daguerreotype shall be a true one’’ Augustus Washington and the Liberian Colonization Movement
pp. 192
Chapter 6. Seeing a Slave as a Man Frederick Douglass, Racial Progress, and Daguerreian Portraiture
pp. 233
Epilogue. ‘‘An Old Daguerreotype’’
pp. 239
Notes
pp. 279
Bibliography
pp. 295
Index
pp. 305
Acknowledgments
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