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African Dreams, Egyptian Nightmares: Cleopatra and Becoming England
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Author(s):
Francesca T. Royster
Publication date
(Print):
2003
Publisher:
Palgrave Macmillan US
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The Sons of Noah and the Construction of Ethnic and Geographical Identities in the Medieval and Early Modern Periods
Benjamin Braude
(1997)
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Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare's Histories
Michael Neill
(1994)
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Sex, Race, and Empire in Shakespeare's Antony and Cleopatra
Joyce MacDonald
(1996)
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Publication date (Print):
2003
Pages
: 33-57
DOI:
10.1007/978-1-137-07417-1_2
SO-VID:
95c21679-ab01-4af6-9b18-c5e1a17a41b6
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Book chapters
pp. 1
Introduction: Becoming Cleopatra
pp. 33
African Dreams, Egyptian Nightmares: Cleopatra and Becoming England
pp. 59
Cleopatra and the Birth of Film: Staging Perpetual Motion
pp. 93
Egyptian Scandals: Elizabeth Taylor’s Cleopatra and the White Grotesque
pp. 121
Becoming Cleopatra/Becoming Girl: Shaw’s Caesar and Cleopatra, Her First Roman and Reclaiming the Lives of Black Girls
pp. 145
Cleopatra Jones: Blaxploitation and Tactical Alliances with Shakespeare
pp. 171
Queering Cleo: Set It Off and Queen Latifah’s “Butch in the Hood”
pp. 197
Epilogue: Cleopatra in an Age of Racial Profiling
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