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Domestic Labor in Twenty-First Century Latin American Cinema
Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake
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Author(s):
Sofía Ruiz-Alfaro
Publication date
(Online):
January 03 2020
Publisher:
Springer International Publishing
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Politics of the Low Countries
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The Politics of Affect and Emotion in Contemporary Latin American Cinema
Laura Podalsky
(2011)
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Dangerous Curves: Latina Bodies in the Media
Isabel Molina-Guzman
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In the Shadowlands of Sovereignty: The Politics of Enclosure in Alejandro González Iñárritu’sBabel
Elizabeth S. Anker
(2013)
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Publication date (Print):
2020
Publication date (Online):
January 03 2020
Pages
: 209-230
DOI:
10.1007/978-3-030-33296-9_10
SO-VID:
94d7e083-38d0-453b-8afd-36826abb60b5
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Book chapters
pp. 1
Introduction
pp. 23
Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films
pp. 53
Moving Beyond Maternalism: Negotiating Models of Womanhood in La nana, Cama adentro, and Hilda
pp. 75
Leftovers No More: Affect, Food, and Power in Recent Latin American Films on Domestic Work
pp. 99
Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios?
pp. 121
Defamiliarizing the Maid: Alicia Scherson’s Play
pp. 143
Beyond Tropes: Otherness and the Identity of the Brazilian Maid in Domésticas-O Filme and Doméstica
pp. 167
Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema
pp. 191
Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga
pp. 209
Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake
pp. 231
Filmography
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