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The Transnational Fantasies of Guillermo del Toro
“This Is Something New … or—Something Very, Very Old”: The Strain Trilogy in Context
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Author(s):
Simon Bacon
Publication date
(Print):
2014
Publisher:
Palgrave Macmillan US
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Fictions of Loss in the Victorian Fin De Siecle
Stephen Arata
(1996)
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Signs Taken for Wonders: Essays on the Sociology of Literary Forms
F. Moretti
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F. MORETTI
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Moretti
(1988)
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Dracula
B. Stoker
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Publication date (Print):
2014
Pages
: 63-82
DOI:
10.1057/9781137407849_5
SO-VID:
93e3d590-0901-40f4-bfa1-5864007e735d
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Book chapters
Between Fantasy and Reality
Guillermo del Toroâs Monsters
Of Monstrous Masses and Hybrid Heroes
Pacific Rim
Myth and Monstrosity
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
âThis Is Something New . . . orâSomething Very, Very Oldâ
âThere Is No Such Thingâ
Adapt or Die
Reflected Horrors
Introduction
pp. 1
Introduction
pp. 11
“There Is No Such Thing”: Del Toro’s Metafictional Monster Rally
pp. 29
Guillermo del Toro’s Monsters: Matter Out of Place
pp. 45
Myth and Monstrosity: The Dark Realms of H. P. Lovecraft and Guillermo del Toro
pp. 63
“This Is Something New … or—Something Very, Very Old”: The Strain Trilogy in Context
pp. 83
Adapt or Die: Mimicry and Evolution in Guillermo del Toro’s English-Language Films
pp. 99
Of Monstrous Masses and Hybrid Heroes: Del Toro’s English-Language Films
pp. 121
Pacific Rim: Reception, Readings, and Authority
pp. 143
Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)
pp. 161
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
pp. 183
Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy
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