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The Palgrave Handbook of Script Development
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Editor(s):
Stayci Taylor
,
Craig Batty
Publication date
(Print):
2021
Publisher:
Springer International Publishing
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Book
ISBN (Print):
978-3-030-82233-0
ISBN (Electronic):
978-3-030-82234-7
Publication date (Print):
2021
DOI:
10.1007/978-3-030-82234-7
SO-VID:
84e2d7cb-4d82-45e6-ba21-411b9dd8dbc8
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Book chapters
pp. 1
Introduction
pp. 9
The Feedback Phenomenon: Dealing with Multiple Voices in the Development of Original Screenplays
pp. 33
Script Readers as Gatekeepers: Demystifying Processes of Script Coverage
pp. 47
A Creative Pilgrimage: Negotiating Authenticity, Creativity and Budget in the Medieval Web Series Tales of Bacon
pp. 59
Creating the Low-Budget Feature Film Script: Development as Emergence
pp. 71
Script Development on Unscripted Television: Grand Designs and the Spectacle of the Reveal
pp. 87
Saying What Must Not Be Said: Exploring Communication in the Script Development Process
pp. 103
Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled
pp. 121
Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian Showrunner
pp. 135
Constructing Criticism Without Crushing Confidence: Cultures of Feedback in Television Script Development
pp. 147
The Business of Script Development: Insights from Industry Practitioners
pp. 163
Doctoring La Cacería, Las Niñas De Alto Hospicio: Issues in Cross-Cultural Script Consulting
pp. 175
Script Development as a Collective Enterprise: The Writing of the Indigenous Feature Film Waru
pp. 187
Independent, Short and Controversial: The Script Development of San Sabba
pp. 201
How Angelica Became The Strange Case of Angelica: From the Idea to the Script to the Book to the Film
pp. 217
Scripting for the Masses: Notes on the Political Economy of Bollywood
pp. 229
The Relational Language of First Nations Cultural Sensibilities, Principles and Storytelling Ethics as an Intercultural Approach to Script Development
pp. 251
Writers’ Room and Showrunner: Discourses and Practices in the German Television Industry
pp. 267
The ASEAN ROK SCREENPLAY LAB: Voices Across Asia—Stories About Rice
pp. 279
Textual Manifestations of Collaborative Screen Idea and Story Development: A Danish Case Study
pp. 295
Scottish Modernism Goes to New Hollywood: Tracing the Script Development of Alan Sharp’s Night Moves
pp. 309
Creating Kaleidoscopic Characters: Working with Performance to Develop Character Stories Prior to Screen Story
pp. 327
Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love
pp. 341
Pedagogy-Led Practice and Practice-Led Pedagogy: A Feedback Loop of Teaching and Screenwriting
pp. 359
A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: Researching the Script Development Process
pp. 375
Scripting and the Multimodal Screenplay Within the Script Development Process
pp. 391
Don’t Eat My Baby: Collisions, Development and Indigenous Consultation in the Australian Family Feature Film Screenplay, Dingo
pp. 407
The Application of an ‘Eternal Dance’ Methodology in the Development of an Original Screenplay
pp. 425
A Collaborative Reflection Between Writer, Director and Actors: Table Read as Scriptwriting ‘Intervention’
pp. 437
Hitting the Road: Performing the Journey as a Development Strategy in Paris, Texas and Goodbye Pork Pie
pp. 451
Development Across the Intercultural Divide: Scripting Stories with ‘Other’ Groups
pp. 469
Productive Interventions: Collaborative Script Development for Stories About Mental Health Issues and Suicide
pp. 485
Place, Presence and Play: A Listening, Co-Active Approach to Story Development
pp. 503
Crafting Immersive Experiences: A Case Study of the Development of Three Short Narrative Cinematic Virtual Reality (CVR) Projects
pp. 517
The Screenplay as a Means of Communication: The Case of Notorious
pp. 531
Between Video Games and Television Shows, Towards Meta Script Development Practices?
pp. 545
Developing Texts for Animated Opera: A Unique Case Study
pp. 557
From Comedy to Drama: The Curious Case Study of Queenpin
pp. 569
‘You Never Know Who is in Control’: German Transmedia Content Development
pp. 585
Violet City: Script Development from Novel to Green Screen Fantasy Feature
pp. 599
Checking The Black List Twice: The Ambiguous Industry Role of Script Development Services
pp. C1
Correction to: Lean Script Development in the Available Materials School of Filmmaking: This Is Dedicated to The One I Love
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