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Victorian Surfaces in Nineteenth-Century Literature and Culture : Skin, Silk, and Show
Gothic Cloth: Textures of the Unknown
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Author(s):
Sophia C. Jochem
,
Cordula Lemke
Publication date
(Online):
November 21 2021
Publisher:
Springer International Publishing
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Surface Reading: An Introduction
Sharon Marcus
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Stephen Best
(2009)
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Gothic Images of Race in Nineteenth-Century Britain
Malchow
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HL Malchow
(1996)
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The Haunted
Owen Davies
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Publication date (Print):
2021
Publication date (Online):
November 21 2021
Pages
: 135-154
DOI:
10.1007/978-3-030-75397-9_8
SO-VID:
7670f0c6-68a2-4478-bf7b-93d1349b14c7
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Book chapters
pp. 1
How to Do Things with Surfaces: The Politics and Poetics of Victorian Surfaces
pp. 25
The Semantics of Surfaces: Victorian Panoramas, the Panoramic Gaze, and Thereness
pp. 43
Touching Skins, Spreading Stains: Contesting, Affirming, and Penetrating Surfaces in the Work of Thomas Hardy
pp. 59
Skin Deep: Reading Race in the Nineteenth-Century Novel
pp. 79
Twinship and Tactile Anxieties in Wilkie Collins’ Poor Miss Finch (1872)
pp. 97
Reading Victorian Skin: Perspectives in (English) Literary/Cultural Studies and Medical Humanities
pp. 117
Dickens’ Dirty Children
pp. 135
Gothic Cloth: Textures of the Unknown
pp. 155
Physiognomic Flânerie in Joseph Conrad’s The Secret Agent
pp. 177
Revisiting Victorian Surfaces in Recent Biopics: Imperial Hauntings in the Durbar Room
pp. 197
Afterword: Bark
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