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Victorian Surfaces in Nineteenth-Century Literature and Culture : Skin, Silk, and Show
The Semantics of Surfaces: Victorian Panoramas, the Panoramic Gaze, and Thereness
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Author(s):
Heidi Liedke
Publication date
(Online):
November 21 2021
Publisher:
Springer International Publishing
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Of Other Spaces
Jay Miskowiec
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Michel Foucault
(1987)
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Vibrant Matter : A Political Ecology of Things
JANE BENNETT
(2010)
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Publication date (Print):
2021
Publication date (Online):
November 21 2021
Pages
: 25-41
DOI:
10.1007/978-3-030-75397-9_2
SO-VID:
603bd419-7439-4a78-b0a9-1e98d5a1737a
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Book chapters
pp. 1
How to Do Things with Surfaces: The Politics and Poetics of Victorian Surfaces
pp. 25
The Semantics of Surfaces: Victorian Panoramas, the Panoramic Gaze, and Thereness
pp. 43
Touching Skins, Spreading Stains: Contesting, Affirming, and Penetrating Surfaces in the Work of Thomas Hardy
pp. 59
Skin Deep: Reading Race in the Nineteenth-Century Novel
pp. 79
Twinship and Tactile Anxieties in Wilkie Collins’ Poor Miss Finch (1872)
pp. 97
Reading Victorian Skin: Perspectives in (English) Literary/Cultural Studies and Medical Humanities
pp. 117
Dickens’ Dirty Children
pp. 135
Gothic Cloth: Textures of the Unknown
pp. 155
Physiognomic Flânerie in Joseph Conrad’s The Secret Agent
pp. 177
Revisiting Victorian Surfaces in Recent Biopics: Imperial Hauntings in the Durbar Room
pp. 197
Afterword: Bark
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