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British Romanticism in Asia: The Reception, Translation, and Transformation of Romantic Literature in India and East Asia
Nogami Yaeko’s Adaptations of Austen Novels: Allegorizing Women’s Bodies
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Author(s):
Kimiyo Ogawa
Publication date
(Online):
February 16 2019
Publisher:
Springer Singapore
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Origins of Modern Japanese Literature
K¯ojin Karatani
,
Brett de Bary
(1993)
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The Cambridge History of Eighteenth-Century Philosophy
Knud Haakonssen
(2008)
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Observations on the nature, causes, and cure of those disorders which have been commonly called nervous, hypochondria, or hysteric: To which are prefixed some remarks on the sympathy of the nerves (2nd ed., corrected).
Robert Whyte
(1765)
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Publication date (Print):
2019
Publication date (Online):
February 16 2019
Pages
: 295-318
DOI:
10.1007/978-981-13-3001-8_12
SO-VID:
5835154c-0a3b-4f25-811e-8e5ea5204b51
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Book chapters
pp. 1
British Romanticism in Asia, 1820–1950: Modernity, Tradition, and Transformation in India and East Asia
pp. 39
The News from India: Emma Roberts and the Construction of Late Romanticism
pp. 67
Flora Japonica: Linnaean Connections Between Britain and Japan During the Romantic Period
pp. 93
An “Exot” Teacher of Romanticism in Japan: Lafcadio Hearn and the Literature of the Ghostly
pp. 119
On William Empson’s Romantic Legacy in China
pp. 145
Romanticism in Colonial Korea: Coterie Literary Journals and the Emergence of Modern Poetry in the Early 1920s
pp. 169
“Truth in Beauty and Beauty in Truth”: Rabindranath Tagore’s Appropriation of John Keats’ “Ode on a Grecian Urn” (1819)
pp. 191
Romantic, Rebel, and Reactionary: The Metamorphosis of Byron in Twentieth-Century China
pp. 221
Nature and the Natural: Translating Wordsworth’s “I Wandered Lonely as a Cloud” (1807/15) into Chinese
pp. 249
“With Sidewise Crab-Walk Western Writing”: Tradition and Modernity in Shimazaki Tōson and Natsume Sōseki
pp. 273
Of Ponds, Lakes, and the Sea: Shōyō, Shakespeare, and Romanticism
pp. 295
Nogami Yaeko’s Adaptations of Austen Novels: Allegorizing Women’s Bodies
pp. 319
The Romantic Skylark in Taiwanese Literature: Shelleyan Religious Scepticism in Xu Zhimo and Yang Mu
pp. 341
A Japanese Blake: Embodied Visions in William Blake’s The Marriage of Heaven and Hell (1790) and Tezuka Osamu’s Phoenix (1967–88)
pp. 361
“Rouse Up O Young Men of the New Age!”: Ōe Kenzaburō and William Blake on Bodies, Biopolitics, and the Imagination
pp. 387
Asian Romanticism: Construction of the Comparable
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