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Cinema and the Swastika
‘European Cinema for Europe!’ The International Film Chamber, 1935–42
other
Author(s):
Benjamin George Martin
Publication date
(Print):
2011
Publisher:
Palgrave Macmillan UK
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Special feature: Europe and Education
Author and book information
Book Chapter
Publication date (Print):
2011
Pages
: 25-41
DOI:
10.1057/9780230289321_2
SO-VID:
53741d3a-23c0-428d-8de1-d0741d41127c
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Book chapters
pp. 1
Europe’s New Hollywood? The German Film Industry Under Nazi Rule, 1933–45
pp. 25
‘European Cinema for Europe!’ The International Film Chamber, 1935–42
pp. 42
German Attempts to Penetrate the Spanish-speaking Film Markets, 1936–42
pp. 58
Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933–45
pp. 72
German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation
pp. 85
Nazi Film Politics in Brazil, 1933–42
pp. 99
The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45
pp. 112
A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933–45
pp. 130
The Attempted Nazification of French Cinema, 1934–44
pp. 148
Cinema Goes to War: The German Film Policy in Greece During the Occupation, 1941–44
pp. 159
Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika, 1933–44
pp. 172
A War within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933–43)
pp. 187
Celluloid Competition: German-Japanese Film Relations, 1929–45
pp. 198
From Dawn to Young Eagles: The (Failed) Attempt of Germanisation and Nazification of Luxembourg through Cinema, 1933–44
pp. 207
Dutch-German Film Relations under German Pressure and Nazi Occupation, 1933–45
pp. 220
From Will to Reality — Norwegian Film during the Nazi Occupation, 1940–45
pp. 231
Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48
pp. 243
Film and Politics in South-east Europe: Germany as ‘Leading Cultural Nation’, 1933–45
pp. 253
German Films on the Spanish Market Before, During and After the Civil War, 1933–45
pp. 265
Swedish Film and Germany, 1933–45
pp. 276
Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933–45
pp. 289
‘A Thin Stream Issuing through Closed Lock Gates’: German Cinema and the United Kingdom, 1933–45
pp. 306
German Films in America, 1933–45: Public Diplomacy and an Uncoordinated Information Campaign
pp. 318
German Film Politics in the Occupied Eastern Territories, 1941–45
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