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Ruskin, the Theatre and Victorian Visual Culture
‘A truer peep at Old Venice’ : The Merchant of Venice on the Victorian Stage
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Author(s):
Richard Foulkes
Publication date
(Print):
2009
Publisher:
Palgrave Macmillan UK
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Henry Irving, Shakespearean
A. Hughes
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A. HUGHES
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Hughes
(1981)
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The Eminent Tragedian : William Charles Macready
Alan S. Downer
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The Story of My Life
E. TERRY
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E. Terry
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E. Terry
(1908)
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Publication date (Print):
2009
Pages
: 169-186
DOI:
10.1057/9780230236790_10
SO-VID:
4e9dd314-b9fb-40b3-ac51-0ea6621f4aac
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Book chapters
pp. 1
Speaking Pictures: The Victorian Stage and Visual Culture
pp. 19
John Ruskin, The Olympian Painters and the Amateur Stage
pp. 42
Ruskin at the Savoy: The Gilbert and Sullivan Operas as Indications of the Victorian Popular Reception of Ruskin
pp. 58
Ruskinian Moral Authority and Theatre’s Ideal Woman
pp. 74
Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’
pp. 97
Ruskin and the National Theatre
pp. 114
The First Theatrical Pre-Raphaelite? Ruskin’s Molière
pp. 135
The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre
pp. 154
Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodies
pp. 169
‘A truer peep at Old Venice’ : The Merchant of Venice on the Victorian Stage
pp. 187
The Photographic Portraiture of Henry Irving and Ellen Terry
pp. 216
‘Auntie, can you do that?’ or ‘Ibsen in Brixton’: Representing the Victorian Stage through Cartoon and Caricature
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