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Animal Horror Cinema
We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres
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Author(s):
Niklas Salmose
Publication date
(Print):
2015
Publisher:
Palgrave Macmillan UK
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What Is It Like to Be a Bat?
Thomas Nagel
(1974)
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Postmodernism or the cultural logic of late capitalism
F. JAMESON
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Jameson Fredric
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Fredric Jameson
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(1991)
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Time and free will: An essay on the immediate data of consciousness
H. Bergson
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H. BERGSON
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Henri BERGSON
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(1910)
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Publication date (Print):
2015
Pages
: 146-167
DOI:
10.1057/9781137496393_9
SO-VID:
3ba25a9b-3345-4d59-a5cc-bbfa5a3eb7e6
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Book chapters
pp. 1
Introduction
pp. 19
A History of Animal Horror Cinema
pp. 37
‘They are a fact of life out here’: The Ecocritical Subtexts of Three Early-Twenty-First-Century Aussie Animal Horror Movies
pp. 58
Polluting and Perverting Nature: The Vengeful Animals of Frogs
pp. 76
Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror
pp. 94
Oil and the (Geo)Politics of Blood: Towards an Eco-Gothic Critique of Nightwing
pp. 110
America, Down the Toilet: Urban Legends, American Society and Alligator
pp. 126
Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism
pp. 146
We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres
pp. 168
Concubines and Chameleons: Deconstruction and Consumption in Pu Songling’s and Gordon Chan’s Painted Skin
pp. 187
Frozen, The Grey, and the Possibilities of Posthumanist Horror
pp. 206
Anthropomorphism and the Representation of Animals as Adversaries
pp. 224
Simian Horror in Rise and Dawn of the Planet of the Apes
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