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Photography’s Other Histories
Notes from the Surface of the Image
edited_book
Author(s):
Christopher Pinney
Publication date:
2003
Publisher:
Duke University Press
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The Burden of Representation
John Tagg
(1988)
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After the Great Divide
Andreas Huyssen
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The Banality of Power and the Aesthetics of Vulgarity in the Postcolony
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Book Chapter
Publication date:
2003
Pages
: 202-220
DOI:
10.1215/9780822384717-011
SO-VID:
38f9c160-a546-4c58-8499-50288b4b1da2
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Book chapters
pp. i
Frontmatter
pp. v
Contents
pp. vii
Acknowledgments
pp. 1
Introduction: ‘‘How the Other Half . . .’’
pp. 1
Introduction
pp. 17
Relating to Photographs
pp. 17
Relating to Photographs
pp. 23
Growing Up with Aborigines
pp. 23
Growing Up with Aborigines
pp. 40
When Is a Photograph Worth a Thousand Words?
pp. 40
When Is a Photograph Worth a Thousand Words?
pp. 55
The Making of Professional “Savages”
pp. 55
The Making of Professional ‘‘Savages’’: From P. T. Barnum (1883) to the Sunday Times (1998)
pp. 85
Navajo and Photography
pp. 85
Navajo and Photography
pp. 100
The Japanese Colonial Eye
pp. 100
The Japanese Colonial Eye: Science, Exploration, and Empire
pp. 119
The Changing Photographic Contract
pp. 119
The Changing Photographic Contract: Aborigines and Image Ethics
pp. 146
Supple Bodies
pp. 146
Supple Bodies: The Papua New Guinea Photographs of Captain Francis R. Barton, 1899–1907
pp. 173
Figueroa Aznar and the CuscoIndigenistas
pp. 173
Figueroa Aznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth-Century Peru
pp. 202
Notes from the Surface of the Image
pp. 202
Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism
pp. 221
Imagined Journeys
pp. 221
Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya
pp. 240
Yoruba Photography
pp. 240
Yoruba Photography: How the Yoruba See Themselves
pp. 261
Works Cited
pp. 261
Works Cited
pp. 277
Contributors
pp. 279
Index
pp. 279
Index
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