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Red, White & Black : Cinema and the Structure of U.S. Antagonisms
Eight. The Pleasures of Parity
monograph
Publication date:
December 31 2020
Publisher:
Duke University Press
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Book Chapter
Publication date:
December 31 2020
Pages
: 200-220
DOI:
10.1515/9780822391715-011
SO-VID:
338b57c9-78d9-4e95-b93e-ede76a2f944b
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. ix
Acknowledgments
pp. ix
ACKNOWLEDGMENTS
pp. vii
Table of Contents
pp. vii
Contents
pp. 1
INTRODUCTION:
pp. 1
Introduction: Unspeakable Ethics
pp. 35
One. The Ruse of Analogy
pp. 35
The Ruse of Analogy
pp. 54
The Narcissistic Slave
pp. 54
Two. The Narcissistic Slave
pp. 95
Fishing for Antwone
pp. 95
Three. Fishing for Antwone
pp. 117
Cinematic Unrest:
pp. 117
Four. Cinematic Unrest: Bush Mama and the Black Liberation Army
pp. 149
Absurd Mobility
pp. 149
Five. Absurd Mobility
pp. 162
The Ethics of Sovereignty
pp. 162
Six. The Ethics of Sovereignty
pp. 189
Seven. Excess Lack
pp. 189
Excess Lack
pp. 200
Eight. The Pleasures of Parity
pp. 200
The Pleasures of Parity
pp. 221
Nine. “Savage” Negrophobia
pp. 221
“Savage” Negrophobia
pp. 247
Ten. A Crisis in the Commons
pp. 247
A Crisis in the Commons
pp. 285
Eleven. Half-White Healing
pp. 285
Half-White Healing
pp. 317
Make Me Feel Good
pp. 317
Twelve. Make Me Feel Good
pp. 337
Epilogue
pp. 337
EPILOGUE
pp. 343
Notes
pp. 343
NOTES
pp. 365
References
pp. 365
REFERENCES
pp. 375
Index
pp. 375
INDEX
pp. 389
Back Matter
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