CYPRUS IN THE LATE BRONZE AGE

For some time now, there has been an increasing tendency amongst archaeologists to think of pottery vessels, not so much as the products of a human mind, which may reflect the many, varied factors which influenced their style of manufacture, but as impersonal objects which serve little more useful purpose than to fill out a complex typological classification. In our preoccupation with compiling these sequences to establish nothing more than the relative and absolute chronologies (vital though they are) of countries where literary records of an historical nature are lacking, we have begun to lose sight of the human element, which is, after all, a more basic constituent of pottery than clay or temper. I little expected, when I embarked on a study of the Cypriote Bronze Age pots found in Egypt, that they would lend themselves so readily to a revelation of the very human reasons which inspired their shapes, created a demand for their contents, and so brought about their exportation to Egypt. It is really to Mr H. W. M. Hodges, to whom I took my technical problems, that I owe the disclosure contained in this paper. Even more it was he who re-orientated my approach to the subject along far more personal lines, which has made the task of assembling and interpreting the data a most rewarding excursion into Levantine life during the Bronze Age. One of the most interesting facts to emerge from even a cursory study of the Cypriote Base-ring I ware, which occurs in Egypt during the first half of the XVIIIth Dynasty, is the limited number of shapes involved.