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Contesting British Chinese Culture
FACE: Autobiographical Theatre and Cross-Cultural Considerations
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Author(s):
Veronica Needa
Publication date
(Online):
September 19 2018
Publisher:
Springer International Publishing
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UCL Grand Challenges: Cultural Understanding
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Why “Social Theatre”?
James J. Thompson
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Richard SCHECHNER
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J. THOMPSON
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(2004)
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Born Translated : The Contemporary Novel in an Age of World Literature
Rebecca L. Walkowitz
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Autobiography
Linda Anderson
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Publication date (Print):
2018
Publication date (Online):
September 19 2018
Pages
: 223-240
DOI:
10.1007/978-3-319-71159-1_12
SO-VID:
09fcf174-cf98-40fa-9173-a4eb563f5eb7
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Book chapters
pp. 1
Introduction: Contesting British Chinese Culture
pp. 31
The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts
pp. 61
One Step Forward, Two Steps Back: Dancing in the Margins/on the Border of Oblivion
pp. 67
“A History Written by Our Bodies”: Artistic Activism and the Agonistic Chinese Voice of Mad For Real’s Performances at the End of the Twentieth Century
pp. 85
Testing, Contesting
pp. 101
Manchester’s Chinese Arts Centre: A Case Study in Strategic Cultural Intervention
pp. 117
From South China to South London: A Journey in Search of Home Through Fine Art Practice
pp. 137
The Artist-Photographer and Performances of Identity: The Camera as Catalyst
pp. 151
British Chinese Cinema and the Struggle for Recognition, Even on the Margins
pp. 169
Cinema of Displaced Identity
pp. 195
The Arts Britain Utterly Ignored: Or, Arts Council Revenue Funding and State Intervention in British East Asian Theatre in the Late 1990s and Early 2000s
pp. 223
FACE: Autobiographical Theatre and Cross-Cultural Considerations
pp. 241
British Chinese Performance in Minor Transnational Perspective
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