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A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel Medea
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Author(s):
Jorge Lopes Ramos
,
Persis Jade Maravala
Publication date
(Online):
March 31 2017
Publisher:
Palgrave Macmillan UK
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Book Chapter
Publication date (Print):
2016
Publication date (Online):
March 31 2017
Pages
: 151-169
DOI:
10.1057/978-1-137-36604-7_12
SO-VID:
92b0b2d0-03d9-4977-923e-9000a6176ba7
License:
http://www.springer.com/tdm
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Book chapters
pp. 1
Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance
pp. 29
On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding
pp. 43
In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More
pp. 63
Troubling Bodies in Follow the North Star
pp. 77
Experiencing Michael Mayhew’s Away in a Manger: Spectatorial Immersion in Durational Performance
pp. 93
Integrating Realities Through Immersive Gaming
pp. 103
Negotiating the Possible Worlds of Uninvited Guests’ Make Better Please: A Hypertextual Experience
pp. 119
Outdoors: A Rimini Protokoll Theatre-Maze
pp. 129
Immersed in Sound: Kursk and the Phenomenology of Aural Experience
pp. 137
Reflections on Immersion and Interaction
pp. 145
Caravania!: Intimacy and Immersion for Family Audiences
pp. 151
A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel Medea
pp. 171
She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract
pp. 193
The Fourth Wall and Other Ruins: Immersive Theatre as a Brand
pp. 199
Immersive Performance and the Marketplace: The Hit
pp. 207
Spectral Illusions: Ghostly Presence in Phantasmagoria Shows
pp. 221
Playing a Punchdrunk Game: Immersive Theatre and Videogaming
pp. 229
Proximity to Violence: War, Games, Glitch
pp. 243
The Promise of Experience: Immersive Theatre in the Experience Economy
pp. 265
Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man: A Hollywood Fable
pp. 289
Coriolan/us and the Limits of ‘Immersive’
pp. 303
Participation, Ecology, Cosmos
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