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The Cambridge Companion to Hip-Hop
Author(s):
Justin Williams
Publication date:
2015-02-05
Publisher:
Cambridge University Press
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Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology
Ingrid Monson
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Creative License : The Law and Culture of Digital Sampling
Kembrew McLeod
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Peter DiCola
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Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon
Robert Fink
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Book chapters
pp. 1
Introduction: the interdisciplinary world of hip-hop studies
pp. 11
MC origins: rap and spoken word poetry
pp. 22
Hip-hop dance
pp. 32
Hip-hop visual arts
pp. 42
DJs and turntablism
pp. 56
The fifth element: knowledge
pp. 71
Hip-hop and religion: from the mosque to the church
pp. 85
Hip-hop theater and performance
pp. 101
Lyrics and flow in rap music
pp. 118
The musical analysis of hip-hop
pp. 135
The glass: hip-hop production
pp. 152
Hip-hop and racial identification: an (auto)ethnographic perspective
pp. 168
Thirty years of Rapsploitation: hip-hop culture in American cinema
pp. 181
Barbz and kings: explorations of gender and sexuality in hip-hop
pp. 192
Hip-hop and politics
pp. 206
Intertextuality, sampling, and copyright
pp. 223
Nerdcore hip-hop
pp. 232
Framing gender, race, and hip-hop inBoyz N the Hood,Do the Right Thing, andSlam
pp. 243
Japanese hip-hop: alternative stories
pp. 256
Council estate of mind: the British rap tradition and London’s hip-hop scene
pp. 263
Cuban hip-hop
pp. 271
Senegalese hip-hop
pp. 280
Off the grid: instrumental hip-hop and experimentalism after the golden age
pp. 292
Stylized Turkish German as the resistance vernacular of German hip-hop
pp. 301
“Bringin’ ’88 Back”: historicizing rap music’s greatest year
pp. 314
“Where ya at?” Hip-hop’s political locations in the Obama era
pp. 327
Select bibliography
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