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The Cultural Sociology of Art and Music : New Directions and New Discoveries
Constructing Difference and Diversity: Culture, Meaning, and the Social Aesthetics of American Art Music
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Author(s):
Alexander C. Sutton
Publication date
(Online):
January 01 2023
Publisher:
Springer International Publishing
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International Journal of Critical Diversity Studies
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Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America
Paul DiMaggio
(2016)
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The Production of Culture Perspective
N. Anand
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Richard A. Peterson
(2004)
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Distinction: A Social Critique of the Judgment of Taste
P Bourdieu
,
P. BOURDIEU
,
Pierre Bourdieu
…
(1984)
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Publication date (Print):
2022
Publication date (Online):
January 01 2023
Pages
: 103-131
DOI:
10.1007/978-3-031-11420-5_5
SO-VID:
7e71ce8e-044c-49df-af5d-20576cef9c91
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Book chapters
pp. 1
Introduction
pp. 19
The Three Generations of the French Sociology of Art
pp. 43
Artist Residencies as Creative Ecologies: Proposing a New Framework for Twenty-First-Century Cultural Production
pp. 71
Theory of an Art Market Scandal: Artistic Integrity and Financial Speculation in the Inigo Philbrick Case
pp. 103
Constructing Difference and Diversity: Culture, Meaning, and the Social Aesthetics of American Art Music
pp. 133
Locating Meaning in Contemporary Art: How Artists Conceptualize the Aesthetic Experience
pp. 163
Moving Through Aesthetic Space: Visual Artists and Migration
pp. 195
Mapping Multivocality: How Critics Communicate Complex Meanings Through Metaphor
pp. 223
Looking Beyond Interaction: Exploring Meaning-Making Through the Windows of an Art Gallery
pp. 251
Framing Performance and Fusion: How Music Venues’ Materiality and Intermediaries Shape Music Scenes
pp. 289
Saron Consāto, Artistic Identity, and European Classical Music in Japan
pp. 319
Owning the Hate: A Case Study of Moral Entrepreneurship in Contemporary Rock Music and the Trademarking of Racial Slurs
pp. 355
The Music of the Dying Class: Jazz as the Impure Sacred in Stalinist Czechoslovakia
pp. 377
Drawing the Line: Evaluation, Boundary Work, and Boundary Objects in a New Discipline
pp. 405
Music and Democracy in America: Historical Perspectives on ‘Democratization’ in the Digital Age
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