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The Theatres of Morocco, Algeria and Tunisia
Carnival and Ritual Performance
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Author(s):
Khalid Amine
,
Marvin Carlson
Publication date
(Print):
2012
Publisher:
Palgrave Macmillan UK
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Rabelais and his World
M. BAKHTIN
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MM Bakhtin
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MHélène Bakhtin
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(1965)
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The Golden Bough: A Study in Magic and Religion
JG Frazer
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J Frazer
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Frazer
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(1911)
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Walter Benjamin, or, Towards a Revolutionary Criticism
T Eagleton
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T EAGLETON
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(1981)
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Publication date (Print):
2012
Pages
: 44-53
DOI:
10.1057/9780230358515_6
SO-VID:
546168c5-a33b-4623-ba28-1613ccd5f49a
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Book chapters
Developing National Traditions, 1970â1990
Orature
The First Arab Performances
Entering a New Century, 1990â2010
The Early Theatres of Independence, 1956â1970
Shadow Plays and Costumed Performers
The Halqa
The Roman Maghreb
From World War II to Independence
Introduction
Carnival and Ritual Performance
The Developing Maghreb Stage
The Theatre of Resistance
Conclusion
Islam and the Colonial Stage
Nineteenth-Century European Theatres
pp. 1
Introduction
pp. 9
The Roman Maghreb
pp. 16
Orature
pp. 28
The Halqa
pp. 38
Shadow Plays and Costumed Performers
pp. 44
Carnival and Ritual Performance
pp. 57
Nineteenth-Century European Theatres
pp. 71
The First Arab Performances
pp. 82
The Developing Maghreb Stage
pp. 94
The Theatre of Resistance
pp. 102
Islam and the Colonial Stage
pp. 113
From World War II to Independence
pp. 131
The Early Theatres of Independence, 1956–1970
pp. 150
Developing National Traditions, 1970–1990
pp. 176
Entering a New Century, 1990–2010
pp. 217
Conclusion
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