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Deep River : Music and Memory in Harlem Renaissance Thought
edited-book
Author(s):
Paul Allen Anderson
Publication date:
2001
Publisher:
Duke University Press
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Embodied Memory
Author and book information
Book
ISBN (Print):
978-0-8223-2577-2
ISBN (Electronic):
978-0-8223-8304-8
Publication date:
2001
DOI:
10.1215/9780822383048
SO-VID:
0351540b-7217-415e-b207-a715e5c77fb1
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
Acknowledgments
pp. ix
ACKNOWLEDGMENTS
pp. vii
Table of Contents
pp. vii
CONTENTS
pp. 1
INTRODUCTION
pp. 1
Introduction
pp. 1
Introduction
pp. 13
“Unvoiced Longings”
pp. 13
One. ‘‘Unvoiced Longings’’: Du Bois and the ‘‘Sorrow Songs’’
pp. 13
“Unvoiced Longings”:
pp. 59
Swan Songs and Art Songs:
pp. 59
Two. Swan Songs and Art Songs: The Spirituals and the ‘‘New Negro’’ in the 1920s
pp. 59
Swan Songs and Art Songs
pp. 113
Three. ‘‘The Twilight of Aestheticism’’: Locke on Cosmopolitanism and Musical Evolution
pp. 113
“The Twilight of Aestheticism”
pp. 113
“The Twilight of Aestheticism”:
pp. 167
“Beneath the Seeming Informality”
pp. 167
“Beneath the Seeming Informality”:
pp. 167
Four. ‘‘Beneath the Seeming Informality’’: Hughes, Hurston, and the Politics of Form
pp. 219
Saving Jazz from Its Friends:
pp. 219
Saving Jazz from Its Friends
pp. 219
Five. Saving Jazz from Its Friends: The Predicament of Jazz Criticism in the Swing Era
pp. 257
Epilogue
pp. 257
Epilogue
pp. 257
EPILOGUE
pp. 271
NOTES
pp. 271
Notes
pp. 271
Notes
pp. 311
SELECTED BIBLIOGRAPHY
pp. 311
Selected Bibliography
pp. 311
Selected Bibliography
pp. 325
INDEX
pp. 325
Index
pp. 325
Index
pp. 336
Back Matter
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