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The Afterlife of Images : Translating the Pathological Body between China and the West
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edited_book
Publication date:
2008
Publisher:
Duke University Press
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The Great Divergence: China, Europe, and the Making of the Modern World Economy
Kenneth Pomeranz
(2000)
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On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
S. STEWART
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Stewart
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Susan Stewart
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(1984)
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Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
R Chow
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Chow Rey
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(1995)
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Book Chapter
Publication date:
2008
Pages
: 197-212
DOI:
10.1215/9780822388821-008
SO-VID:
de2d5a1a-4c1c-4951-8266-cd7f0230af54
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. ix
List of Illustrations
pp. ix
LIST OF ILLUSTRATIONS
pp. vii
Table of Contents
pp. vii
TABLE OF CONTENTS
pp. xiii
Acknowledgments
pp. xiii
ACKNOWLEDGMENTS
pp. xvi
[Illustration]
pp. 1
INTRODUCTION
pp. 1
Introduction
pp. 1
Introduction
pp. 15
How China Became the “Cradle of Smallpox”:
pp. 15
1. How China Became the “Cradle of Smallpox”
pp. 15
How China Became the “Cradle of Smallpox”
pp. 39
The Pathological Body
pp. 39
The Pathological Body:
pp. 39
2. The Pathological Body
pp. 73
3. The Pathological Empire
pp. 73
The Pathological Empire:
pp. 73
The Pathological Empire
pp. 113
“What’s Hard for the Eye to See”:
pp. 113
4. “What’s Hard for the Eye to See”
pp. 113
“What’s Hard for the Eye to See”
pp. 149
Epilogue: Through the Microscope
pp. 149
EPILOGUE:
pp. 149
Epilogue
pp. 157
Notes
pp. 157
Notes
pp. 157
NOTES
pp. 197
Bibliography
pp. 197
Bibliography
pp. 197
SELECTED BIBLIOGRAPHY
pp. 213
Index
pp. 213
Index
pp. 213
INDEX
pp. 224
Back Matter
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