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From <i>Mankind</i> to Marlowe : Growth of Structure in the Popular Drama of Tudor England
edited_book
Author(s):
David M. Bevington
Publication date
(Online):
December 31 1962
Publisher:
Harvard University Press
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Author and book information
Book
ISBN (Print):
9780674734333
Publication date (Print):
December 31 1962
Publication date (Online):
December 31 1962
DOI:
10.4159/harvard.9780674734340
SO-VID:
f99efb84-1dbb-4720-95a8-a3c53709dd00
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Book chapters
pp. i
Frontmatter
pp. ix
Contents
pp. vii
Acknowledgments
pp. 1
I. Introduction: From Mankind to Marlowe
pp. 8
II. Criteria for a Popular Repertory
pp. 26
III. Auspices for the Élite Drama
pp. 48
IV. The Popular Canon
pp. 68
V. "Four Men and a Boy"
pp. 86
VI. The Tradition of Versatility
pp. 104
VII. Doubling Patterns in the 1580's and 1590's
pp. 114
VIII. The Origins of Popular Dramatic Structure
pp. 128
IX. The Pioneering Contributions of Bale and Skelton
pp. 141
X. The Intermediate Morality: Repetition, Expansion, and Elaboration
pp. 152
XI. Dual Protagonists and a Formula for Homiletic Tragedy
pp. 170
XII. The Transition to Chronicle
pp. 190
XIII. The Transition to Romance
pp. 199
XIV. Tamburlaine the Great
pp. 218
XV. The Jew of Malta
pp. 234
XVI. Edward II
pp. 245
XVII. The Conflict of Conscience and Doctor Faustus
pp. 265
Appendix: Plays "Offered for Acting"
pp. 274
The Texts of the Plays
pp. 279
A List of Works Frequently Cited
pp. 283
Notes
pp. 301
Index
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