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Movie Blockbusters
The best place to see a film: the blockbuster, the multiplex, and the contexts of consumption
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Publication date:
October 18 2013
Publisher:
Routledge
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SDG: 12: Responsible Consumption and Production
Author and book information
Book Chapter
Publication date:
October 18 2013
Pages
: 202-213
DOI:
10.4324/9781315012919-22
SO-VID:
c56c7ef5-8ffc-49b7-aa89-2d15eba0928a
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Book chapters
pp. 13
Introduction
pp. 27
The New Hollywood
pp. 59
Hollywood blockbusters: historical dimensions
pp. 73
Following the money in America’s sunniest company town: some notes on the political economy of the Hollywood blockbuster
pp. 84
The Hollywood blockbuster: industrial analysis and practice
pp. 96
The role of the auteur in the age of the blockbuster: Steven Spielberg and DreamWorks
pp. 113
Talking about a revolution: the blockbuster as industrial advertisement
pp. 126
Spectacle, narrative, and the spectacular Hollywood blockbuster
pp. 140
“Want to take a ride?”: reflections on the blockbuster experience in Contact (1997)
pp. 153
Blockbusting sound: the case of The Fugitive
pp. 167
Circulations of taste: Titanic, the Oscars, and the middlebrow
pp. 179
Sex, controversy, box-office: from blockbuster to bonkbuster
pp. 190
Star Wars in fandom, film theory, and the museum: the cultural status of the cult blockbuster
pp. 202
The best place to see a film: the blockbuster, the multiplex, and the contexts of consumption
pp. 214
Neither one thing nor the other: blockbusters at film festivals
pp. 229
“What’s big about the big film?”: “de-Westernizing” the blockbuster in Korea and China
pp. 242
Once Were Warriors: New Zealand’s first indigenous blockbuster
pp. 254
Television for the big screen: how Comodines became Argentina’s first blockbuster phenomenon
pp. 267
Locating Bollywood: notes on the Hindi blockbuster, 1975 to the present
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