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The Palgrave Handbook of Incarceration in Popular Culture
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Editor(s):
Marcus Harmes
,
Meredith Harmes
,
Barbara Harmes
Publication date
(Print):
2020
Publisher:
Springer International Publishing
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Westminster Papers in Communication and Culture
Author and book information
Book
ISBN (Print):
978-3-030-36058-0
ISBN (Electronic):
978-3-030-36059-7
Publication date (Print):
2020
DOI:
10.1007/978-3-030-36059-7
SO-VID:
86f7991d-d23b-45ef-ac63-ad3278a885d0
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Book chapters
pp. 1
Popular Visions of Incarceration
pp. 17
Unlocking Prisons: Toward a Carceral Taxonomy
pp. 33
Reading Bronson from Deep on the Inside: An Exploration of Prisoners Watching Prison Films
pp. 51
Ear Hustling: Lessons from a Prison Podcast
pp. 67
“O Prison Darkness … Lions in the Cage”: The ‘Peculiar’ Prison Memoirs of Guantánamo Bay
pp. 89
Human Rights Documentary or Plot-Driven Prison Drama? Animation and Nonfiction “Storytelling” in Camp 14: Total Control Zone
pp. 101
How Race and Criminality Are Embodied in Memoir and Film: An Investigation of Jamaa Fanaka and Austin Reed
pp. 117
Taxonomy of Genre: Prison Memoirs by American Men of Color
pp. 139
“Within These Walls”: The History and Themes of Prison-Themed Television Series
pp. 165
Prison on Screen in 1970s Britain
pp. 177
The 1980s Behind Bars: The Punitive System in Prison (1987) and Lock Up (1989)
pp. 189
“So Neglect Becomes Our Ally”: Strategy and Tactics in the Chateau D’If in Kevin Reynolds’ The Count of Monte Cristo
pp. 207
“You’re in Trouble Mate”: Prison and Screen Practice
pp. 223
How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept?
pp. 243
How Do American Prisons Handle Disorder? An Examination of the Relevance of Disorder Theories and a Comparison with Popular Media Portrayals
pp. 265
Mediated Representations of Prisoner Experience and Public Empathy
pp. 289
Separating Popular Myth from Empirical Reality: The White-Collar Prison Experience
pp. 305
Club Fed? White-Collar Incarceration in the American Imagination
pp. 319
The Queen Without Kingdom: Vulnerability, Martyrization, Monolingualism and Injury Toward a Quechua-Speaking Woman Imprisoned in Argentina
pp. 331
“We Don’t Recognize Transsexuals … and We’re Not Going to Treat You”: Cruel and Unusual and the Lived Experiences of Transgender Women in US Prisons
pp. 361
Incarceration as a Dated Badge of Honor: The Sopranos and the Screen Gangster in a Time of Flux
pp. 375
Innocence Lost (and Then Found): The Depiction of Wrongful Convictions in Prison Films
pp. 397
The Lord of the Flies in Palo Alto
pp. 411
Bad Teens, Smug Hacks and Good TV: The Success and Legacy of Scared Straight!
pp. 425
Reality TV: Instilling Fear to Avoid Prison
pp. 437
Women Behind Bars: Dissecting Social Constructs Mediated by News and Reality TV
pp. 455
Speculative Punishment, Incarceration, and Control in Black Mirror
pp. 473
Carceral Imaginaries in Science Fiction: Toward a Palimpsestic Understanding of Penality
pp. 487
It’s More Like an Eternal Waking Nightmare from Which There Is No Escape. Media and Technologies as (Digital) Prisons in Black Mirror
pp. 499
Dark Fantasies: The Prisoner and the Futures of Imprisonment
pp. 511
Minority Report, Abjection and Surveillance: Futuristic Control in the Scientific Imaginary
pp. 527
Moral Ambivalence and the Executioner’s Hood: Averting the Retributive Gaze in Dystopian Fiction
pp. 541
Dark Tours: Prison Museums and Hotels
pp. 555
“Pack of Thieves?”: The Visual Representation of Prisoners and Convicts in Dark Tourist Sites
pp. 575
The Legend of Madman’s Hill: Incarceration, Madness and Dark Tourism on the Goldfields
pp. 589
Three Related Danish Narratives: The Film R, the Penal Museum at Horsens and the Replacement Prison of East Jutland
pp. 613
Can Prison Be a Feminist Space?: Interrogating Television Representations of Women’s Prisons
pp. 627
Women in the “Prison Movie” Genre and Carceral Masculinities
pp. 641
Is Yellow the New Orange? The Transnational Phenomenon of Female Prison Dramas
pp. 655
Wentworth and the Politics and Aesthetics of Representing Female Embodiment in Prison
pp. 671
From the Stony Ground Up: The Unique Affordances of the Gaol as “Hub” for Transgressive Female Representations in Women-in-Prison Dramas
pp. 685
The Pleasure Politics of Prison Erotica
pp. 699
Let’s Have Redemption! Women, Religion and Sexploitation on Screen
pp. 717
‘Are You Woman Enough to Survive?’: Bitch Planet’s Collaborative Critique of the Neo-Liberal Prison-Industrial Complex
pp. 731
Prison on Screen in Italy: From “Shame Therapy” Propaganda to Citizenship Programmes
pp. 745
Ulucanlar from Prison to Museum: Contestation on Memory and the Future in Turkey
pp. 763
In the Name of the Father: (Re)Framing the Guildford Four
pp. 779
Conclusion
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