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Vanishing Women : Magic, Film, and Feminism
edited-book
Author(s):
Karen Beckman
Publication date:
2003
Publisher:
Duke University Press
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Related collections
Women in Science
Author and book information
Book
ISBN (Print):
978-0-8223-3125-4
ISBN (Electronic):
978-0-8223-8437-3
Publication date:
2003
DOI:
10.1215/9780822384373
SO-VID:
b4122724-2069-4191-9b7e-c117e41a6c0e
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. vi
Contents
pp. vi
Table of Contents
pp. viii
List of Illustrations
pp. viii
List of Illustrations
pp. xi
Acknowledgments
pp. xi
Acknowledgments
pp. 1
Introduction
pp. 17
Surplus Bodies, VanishingWomen:
pp. 61
Insubstantial Media:
pp. 3
Introduction
pp. 3
Introduction
pp. 93
Mother Knows Best:
pp. 129
Violent Vanishings:
pp. 153
Shooting Stars, Vanishing Comets:
pp. 17
1 Surplus Bodies, VanishingWomen: Conjuring, Imperialism, and the Rhetoric of Disappearance, 1851–1901
pp. 17
Surplus Bodies, Vanishing Women
pp. 61
2 Insubstantial Media: Ectoplasm, Exposure, and the Stillbirth of Film
pp. 61
Insubstantial Media
pp. 93
Mother Knows Best
pp. 93
3 Mother Knows Best: Magic and Matricide
pp. 129
4 Violent Vanishings: Hitchcock, Harlan, and the Politics of Prestidigitation
pp. 129
Violent Vanishings
pp. 153
5 Shooting Stars, Vanishing Comets: Bette Davis and Cinematic Fading
pp. 153
Shooting Stars, Vanishing Comets
pp. 189
Afterword
pp. 189
Afterword
pp. 189
Afterword
pp. 195
Notes
pp. 195
Notes
pp. 195
Notes
pp. 219
Works Cited
pp. 219
Works Cited
pp. 219
Works Cited
pp. 233
Filmography
pp. 233
Filmography
pp. 233
Filmography
pp. 235
Index
pp. 235
Index
pp. 235
Index
pp. 240
Back Matter
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