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Spectacles et performances artistiques à Rome (1644-1740) : Une analyse historique à partir des archives familiales de l'aristocratie
edited-book
Editor(s):
Anne-Madeleine Goulet
,
José María Domínguez
,
Élodie Oriol
Publication date
(Online):
October 27 2021
Publisher:
Publications de l’École française de Rome
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Related collections
JLIS.it, Italian Journal of Library, Archives, and Information Science
Author and book information
Book
ISBN (Print):
9782728314898
ISBN (Electronic):
9782728314904
Publication date (Print):
2021
Publication date (Online):
October 27 2021
DOI:
10.4000/books.efr.16344
SO-VID:
59a85ae3-665d-4fc8-8fde-d6d5272b7b74
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Book chapters
Dédicace
Avant-propos
Avertissement
pp. 3
Introduction
pp. 49
Introduction à la première partie
pp. 51
Performance et performativité
pp. 61
La storiografia del teatro in Italia e il concetto di “performance”
pp. 69
Operare come archivista in un archivio della nobiltà romana nel Seicento
pp. 85
La costruzione di un thesaurus per la “performance”
pp. 99
Introduction à la deuxième partie
pp. 101
La fête baroque, archétype du macro-événement-spectacle
pp. 115
Definire l’“evento performativo”
pp. 133
Musique et agentivité. De la création de nouveaux espaces dans la ville
pp. 149
Introduction à la troisième partie
pp. 151
«Balconi dorati per i musici»
pp. 167
«Per allevare li giovani nel timor di Dio e nelle lettere»
pp. 187
Ricostruire un teatro
pp. 203
Introduction à la quatrième partie
pp. 207
Frammenti performativi nel “movementscape” della Roma tra Sei e Settecento
pp. 223
«Un nobilissimo e sottilissimo ingegno»
pp. 239
Effetti scenografici e macchine spettacolari nelle “performance” pubbliche nella Roma del primo Settecento
pp. 281
Ex partibus totum
pp. 317
Introduction à la cinquième partie
pp. 319
Un triomphe gastronomique
pp. 337
La clemenza d’Augusto (Roma, 1697)
pp. 353
Eventi-spettacolo nella cerchia di André de Melo e Castro, ambasciatore portoghese a Roma (1718-1728)
pp. 379
Introduction à la sixième partie
pp. 383
Arie e cantanti tra continuità e cambiamenti
pp. 405
I ruoli femminili per Bartolomeo Montalcino in due opere romane di Alessandro Scarlatti
pp. 419
“Strategie parasinestetiche” nella Tessalonica di Nicolò Minato (Vienna 1673 / Roma 1683)
pp. 443
Postfazione
pp. 447
Bibliographie générale
pp. 449
Perspectives
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