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Script Development : Critical Approaches, Creative Practices, International Perspectives
So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Production
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Author(s):
Noel Maloney
,
Philippa Burne
Publication date
(Online):
February 17 2021
Publisher:
Springer International Publishing
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Uncertain Vision: Birt, Dyke and the Reinvention of the BBC
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Publication date (Print):
2021
Publication date (Online):
February 17 2021
Pages
: 185-204
DOI:
10.1007/978-3-030-48713-3_12
SO-VID:
08fb3aa0-650f-4191-9d92-0b1026a9fdac
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Book chapters
pp. 1
Introduction
pp. 9
Originality and Authorship in the Development of the Screen Idea
pp. 31
How Government Institutions Shape Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute
pp. 51
Script Development and the Post-Socialist Producer: Towards a Comparative Approach to Cultures of Development
pp. 69
Cultural Difference in Script Development: The Australian Example
pp. 85
Complicating Cops and Criminals: Racial Politics in the Classic Network Crime Drama
pp. 99
Telling Stories About Yesterday’s Hero for Today’s World: The Script Development of the Chilean TV Series Heroes (2006–2007)
pp. 113
Nordic Noir with an Icelandic Twist: Establishing a Shared Space for Collaboration Within European Coproduction
pp. 131
Sympoiesis and Scripting Urban Terror: Decomposition of a Writing Under Duress
pp. 147
Script Development and Social Change in Papua New Guinea
pp. 171
Storytelling for Our Own People: A Reflection on Script Developing with the Māori Filmmaker Barry Barclay
pp. 185
So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Production
pp. 205
Defining the Beats in the TV Sitcom
pp. 219
Subjects of the Gaze: Script Development as Performance
pp. 237
The Promiscuous Screenplay: A Tale of Wanton Development and Loose Authorship
pp. 271
Room for Improvement: Discourses of Quality and Betterment in Script Developments
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